恐怖分子企图劫持横越大西洋的夜间班机,女王身怀怪病的女子因而被迫亲上火线。为了保护儿子,女王她必须让黑暗的祕密曝光,释放出她一直设法压抑在体内的怪物。
恐怖分子企图劫持横越大西洋的夜间班机,女王身怀怪病的女子因而被迫亲上火线。为了保护儿子,女王她必须让黑暗的祕密曝光,释放出她一直设法压抑在体内的怪物。
回复 :Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007Author: TimothyFarrell from Worcester, MA"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)-from imdb
回复 :A man with spiritualist powers is told by his mentor that a demonic entity is returning to destroy his daughter's soul, and that he should take drastic measures to prevent this from happening.
回复 :秦明来到清江市参加新书签售,偶遇清江首富张富国的千金张静雅,调查张家母亲多年前的死因,却发现张富国书房被杀,牵扯出张家养子杨志远与张静雅姐弟的恩怨情仇,秦明鉴证追凶后发现张富国的死因并不简单......