剧情简介
生活让野心勃勃的马戏团学徒蒂龙.鲍尔变成一个欺诈的艺术家和逐渐地进入一个假宗教性的印度教，日韩他的生活从此就开始围着其导师旋转。与此同时，日韩人翁斯丹并没有为五光十色的嘉年华会所迷恋而停留，因为他的心早就飞去了高档夜晚俱乐部......
日韩 亚洲 欧美
生活让野心勃勃的马戏团学徒蒂龙.鲍尔变成一个欺诈的艺术家和逐渐地进入一个假宗教性的印度教，日韩他的生活从此就开始围着其导师旋转。与此同时，日韩人翁斯丹并没有为五光十色的嘉年华会所迷恋而停留，因为他的心早就飞去了高档夜晚俱乐部......
黄蓝白
回复 :Lek老師（Arun Phawilai飾）是一名泰拳敎練，一直敎導着一班小孩子泰拳以自我防衛，他們是Wuth（Nuttawuth Boonrapsap飾）、Catt（Sanisa Chindamanee飾）及Pong（Paethaiy Wongkumlao飾）。他們3個人必須照顧擁有心疾的Wun（Darun Tantivichitvej飾），Wuth的弟弟。因為Wun突然心臟病發而必須進行緊急的心臟轉移手術，所以他們來到了一個被國際恐怖組織首領Peda（Johnny Ngian）所控制的醫院。無可避免地，他們必須捲入這場醫院的嚴峻考驗，英勇小孩及殘忍恐懼份子之間的激烈打鬥就在這里發生……
玛蒂娜麦克布莱德
回复 :影片取材自真实历史事件，1969年的纽约“石墙酒吧暴动”。1969年6月28日，纽约警方突击了一家位于曼哈顿东村地区的由黑社会经营的酒吧“石墙”，这里都是一些无家可归的同性恋人士，因为当时主流社会的排斥，纷纷以此为家。这次突袭并没有按照警方预想的那样发展，最终引发一场大规模同性恋抗议暴动，这场暴动所引发的连锁反应和美国六七十年代的黑人民权运动、反战示威等一起改变了美国乃至世界的社会面貌。电影《石墙暴动》由约翰·罗宾·贝茨（John Robin Bates）编剧，故事的主角是一个被父母赶出家门的同性恋男孩，他只身从小乡村来到大纽约 ，被石墙酒吧收留，亲身参加了这场暴动。
麦田守望者
回复 :“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today. The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster. As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself. “Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.
