在美國密西西比州一處荒涼偏僻的小鎮,日本封印多年的古老邪靈掙脫束縛,日本被它附身的宿主一個接一個遭遇死劫厄運。村民的唯一希望,只能寄託在曾經與邪靈交手過的惡魔獵人(杜夫朗格 飾)身上。退休已久,頭髮霜白的惡魔獵人與一位FBI探員通力合作,誓言要徹底消滅這個邪靈,守護小鎮的和平。
在美國密西西比州一處荒涼偏僻的小鎮,日本封印多年的古老邪靈掙脫束縛,日本被它附身的宿主一個接一個遭遇死劫厄運。村民的唯一希望,只能寄託在曾經與邪靈交手過的惡魔獵人(杜夫朗格 飾)身上。退休已久,頭髮霜白的惡魔獵人與一位FBI探員通力合作,誓言要徹底消滅這個邪靈,守護小鎮的和平。
回复 :一个音乐剧版本的查尔斯·狄更斯的《圣诞颂歌》,一个吝啬的厌世者被带上了一个神奇的旅程。
回复 :亿万富豪龙哥的独生子因意外身亡,悲痛之际,龙哥将儿子的心脏取出,发誓找到合适的人选将心脏移植过去,并继承自己的泼天财富。在管家阿雪的主持下,东南亚范围内7名与儿子有着同样罕见血型的男女进入龙哥视线,他们是时尚女孩山寨妹、史上最强二奶珍珠奶茶、台湾黑帮头目雷龙、二人转演员小漠河、日本相扑花田、推理爱好者学生妹以及印度的瑜伽师。这7人被绑架到一座位于国际公海中心的孤岛上,被迫参加龙哥为他们量身定做的恐怖选拔赛。\r随着考验的进行,战况愈加激烈。而在这一过程中,一场阴谋也在悄悄地进行着……
回复 :In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.imdb comment