少年卫斯理II之圣女转生
地区:中国
  类型:恐怖
  时间:2025-04-16 04:15:37
剧情简介

昭和初期的日本神户,少年圣女平凡的街道居住着经营洋装成衣铺的妹尾一家四口。一家之主盛夫(水谷丰 饰)和善可亲,少年圣女思想开化;信奉基督教的主妇敏子(伊藤兰 饰)心灵手巧,操持家中的一切。长子肇(吉冈龙辉 饰)穿上了母亲编织的带有英文字母的毛衣,被朋友们称为少年H,妹妹好子(花田优里音 饰)机灵顽皮,讨人喜欢。经常与外国人接触,让妹尾一家待人接物上多了一份宽容。然而随着国际局势的日趋紧张,日本普通人的生活也受到极大的影响。有的人被当作思想犯逮捕,有的因逃避兵役自绝。二战局势愈演愈烈,少年H用错愕的双眼注视着这个飞速巨变的残酷世界……本片根据舞台设计大师妹尾河童的同名自传体小说改编。

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明星主演
关楚耀
辛小玲
潘长江
最新评论(131+)

薛岳

发表于7分钟前

回复 :《天生有福》讲述的是城市打工仔梅芾(王茂蕾饰),莫名背上一身债务,在要债过程中意外发现,骗自己背债的人正是女朋友婷婷(程一桥饰)的父亲赖老六(荣斌饰),从而展开一系列城市小强追债包工头的故事。


张峻宁

发表于5分钟前

回复 :苏云霄因为一起公益项目,与五年前不告而别的未婚妻陆瑶瑶在泰国意外重逢。此时陆瑶瑶竟挽着别的陌生男人在拍婚纱照。苏云霄认定陆瑶瑶为了钱再次骗婚,于是上前出言不逊。最终却发现只是误会一场。苏云霄见到陆瑶瑶嗜钱如命的样子心痛不已,却意外发现陆瑶瑶有个生病的孩子陆小离。苏云霄认定小离是自己的骨肉,于是以孩子来要挟陆瑶瑶留在自己身边。苏母下令让侄子苏云飞立刻赶去将苏云霄带回国。谁知苏云飞因为觊觎继承人的位子,一心想要将苏云霄置于死地。与此同时,接二连三看似意外的袭击引起了苏云霄的警觉并决定反击,最终揭穿了苏云飞的真面目,也成功与陆瑶瑶在天使之城收获了最终的幸福。


彭丽媛

发表于6分钟前

回复 :Since 1977, Sam Klemke has been recording himself on film, the #selfieavantlalettre. In that same year, NASA launched the Voyager with the Golden Record. Whereas NASA primarily sketches a positive picture of humanity, Klemke's honest self portraits zoom in on the individual. A special film about time, memory and what it means to be human.‘This year will be my year, it has to be!’ Since 1977, Sam Klemke - a pioneer status updater - has looked back on ‘his year’ using video. With the illusion of progress, he hopes to encourage ‘personal growth and improvement’.Documentary maker Matthew Bate met Klemke on Facebook and became acquainted with his video 35 Years Back Through Time, a super-cut in which Klemke counts backwards from 2011 to his ambitious teenage self. Intrigued by this obsessive film project, Bate used Klemke's personal archive to create a documentary collage that feels like an intimate road trip, with Klemke providing valuable lessons about time. Along the way, he dismantles the dream of success and happiness. Klemke's self-mockery and honesty give the whole thing a light, breezy feel.Through this, Bate interweaves NASA’s Golden Record Project which, just like Klemke’s video project, was launched in 1977. This juxtaposition creates a reflection in which Bate sketches the comprehension of time and self-documenting stories as an inherent human need.


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