Alex毕业后开始了新的，免费却一样孤单的生活。某一次被同事带去酒吧，免费Alex邂逅了漂亮的拉丁裔女孩Christy并再次犯病爆粗，她性感奔放大胆爱冒险，与别的女生不一样，她反而觉得Alex的怪病既性感又特别。Alex拥有了人生的第一个女朋友，两人迅速进入热恋，但Alex发现自己竟然还时不时想起阿静……时间渐渐过去，性感的Christy发现激情退却了的Alex不再对自己爆粗口了，Alex为了挽回这段感情，竟然开始装病。同时他也在怀疑自己对Christy的感情到底是真爱，还只是自己不愿孤单需要陪伴。两人的感情结束在了Alex发现Christy跟一个白人帅哥出轨的夜晚，他意外的发现自己竟然有一丝被解放的感觉。恢复单身的Alex惊喜的在街头巧遇了阿静，却得知阿静要结婚了。Alex对着阿静远去再次犯病爆粗口，同时不禁泪下，也许能陪伴他到永远的，就只有这个病……
阎韦伶
回复 :Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"?The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski)From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
巫一凡
回复 :法医病理学家纳里曼博士与一名摩托车手发生车祸，伤及他8岁的儿子。他提议将孩子带到附近的诊所，但这位父亲却拒绝了他的帮助。第二天早上，在他工作的医院里，纳里曼医生发现这个小男孩竟然死了……他面临着一个两难的困境：孩子死于车祸还是死于可疑的食物中毒？
东来东往
回复 :《相见恨早》是阿什顿·库彻由一个喜剧明星开始向浪漫爱情剧男主角转型之作。为人谨慎的奥利弗（阿什顿·库彻 Ashton Kutcher 饰）和个性张扬的艾米丽（阿曼达·皮特 Amanda Peet 饰)在洛杉矶到纽约的航班上偶遇。两人一见倾心，但在短暂的相处之后，却又各自行走在自己的生活轨道上，只有挥之不去对彼此的影像。初次见面之后，不同的时间，不同的城市，他们又多次相聚、分离。两人变成了无话不谈的好朋友，之间的微妙关系，似乎总是阴差阳错地和爱情擦身而过。在分分合合的七年之后，他们又一次重逢，奥利弗终于意识到了其实艾米丽才是他真正寻找的女孩，但艾米丽已经订婚。他们之间还会拥有单纯的友谊吗？这对冤家是会有情人终成眷属还是，面临再一次分开？
