剧情简介
博伯翰This documentary chronicles Diomedes Díaz's rise as one of Colombia's most iconic singers, and his downfall after being accused of killing a fan.
博·伯翰：隔离在家
博伯翰This documentary chronicles Diomedes Díaz's rise as one of Colombia's most iconic singers, and his downfall after being accused of killing a fan.
翼势力
回复 :运势一向极差并且做任何事都十分倒霉的宫男（小沈阳 饰）因为听信了坑蒙拐骗、信口开河的不靠谱算命先生萨摩耶夫（李诚儒 饰）的指点，因此与为了一份跟梦中情人的口头婚约而绞尽脑汁、迫切求财的秦招妹（田亮 饰）组成“呆萌寻女”二人团，阴差阳错来到新加坡，想借出国碰运气，开始了他们的发财梦。从坐上飞机开始，两个“逗比”就一路笑料百出，风波不断，为了赚钱甚至还打起了挖地道到古董店抢劫的主意，令人啼笑皆非。也在经历了“赌场风波”后，两个倒霉蛋又卷入一宗古董大劫案之中，并因此与“南洋富商”董大山（陈小春 饰）结下梁子。但赚钱的同时泡妞也不能耽误，宫男邂逅了神秘“女神”颜琪（熊黛林 饰），虽然令他魂牵梦绕的女神一直难以琢磨，并不妨碍他与董大山展开一场激烈的“女神”争夺战，原本庸庸碌碌平平淡淡的宫男也在新加坡引来了人生中戏剧性的变化……
胡琳
回复 :17世纪初叶，经过长时间的攻伐兼并，日本战国时代落下帷幕，转而进入了德川幕府统治的时代。和平降临，取而代之的是大批武士流离失所，为生计所苦逼。在此期间，有的浪人请求在显贵门前剖腹以保存颜面，有的人因此得到留用，也有的得到物质资助，但其中不乏借此敲诈的宵小之徒。某天，名门井伊家迎来了名叫千千岩求女（瑛太 饰）的年轻浪人，为杜绝这股邪风，井伊家假戏真做，逼迫千千岩以及其不体面的方式悲惨死去。原以为这会令敲诈的浪人们望而却步，谁知不久后另一位名叫津云半四郎（市川海老藏 饰）的中年武士前来求死……本片根据泷口康彦的小说《异闻浪人记》改编，该故事曾于1962年由名匠小林正树搬上银幕。
韦国元
回复 :"The Witch Burnt Alive"After a very long, but visually arresting animated opening credits sequence, Luchino Visconti (Death in Venice) directs the first story, which is the longest of the five, taking approximately a third of the film's running length. Mangano plays a superstar actress and model who travels to a mountain resort, only to find the well-to-do inhabitants have prejudices and preconceived notions about her based on her public persona. The women are all jealous and the men all want to sleep with her, but all Mangano wants is to be left alone. It's a mostly somber satirical piece, but story-wise, it languishes in its modest idea a bit long, becoming inconsequential to all but those fascinated by the realities of being famous."Community Spirit"Bolognini's piece isn't really a story. It's more of a visual gag, in a short segment that features Mangano offering to take an injured man to a hospital, driving him at breakneck speed throughout the city, but not stopping at locations where he might find aid. I won't give away the punchline here, but it succeeds in being amusing, even if it's the kind of thing that only is interesting the first time through."The Earth Seen from the Moon"The esteemed writer/director, Pier Paolo Pasolini (Salo), crafts the middle segment, which is the most artistic and memorable of the five. Reminiscent in style to "Don Quixote", a recently widowed father and his son travel around the country in search of a new wife and mother, and after a long period, they discover the literally speechless Mangano. She brings joy into their lives, but they are poor, and in order to find a better life for themselves, they concoct a scheme to try to make some quick cash. The story is contrived, and not completely interesting, but the outlandish performances, artwork, and costumes does evoke great charm and likeability. Although mute, it's probably the most appealing of Mangano's five performances, and Toto is terrific."The Sicilian"Franco Rossi directs the fourth an shortest piece, a straight-forward revenge story that comes and goes before it ever has a chance of becoming interesting. It's violent, but easily the least satisfying of the five stories."A Night Like Any Other"Eastwood's appearance is clearly the biggest attraction here, which was filmed in between the Sergio Leone "Dollars" trilogy. It's an enjoyable departure from his normal roles, playing a comedic romantic lead, and he is affably fun to watch. Famed Italian director, Vittorio de Sica (The Bicycle Thief, Umberto D.) does a masterful job with the story, which perfectly blends the mundane and the fantasy in a visually satisfying way. The story is about a bored housewife (Mangano, of course), who tries in vain to get her husband to realize that he is not as romantic as he used to be. The scene is interspersed with comedic romance sequences revolving around the couple's past romantic interludes, and dreams of how their lives should be.
