剧情简介
深空116号移民飞船在太空中航行多年，亚洲即将到达宜居星球——新世界。为了熬过漫长的星际旅程，亚洲绝大多数船员都在休眠舱中沉睡, 只有一对恋人除外：无法进入休眠的通讯官尹，以及自愿放弃休眠的舰长原。一连串诡异现象的发生，打破了飞船上的平静：瘫痪多年的尹突然奇迹般痊愈，坚守岗位的原突然失去联系，人工智能柒为拯救尹而牺牲……而所有事情的起因，都指向一种能在太空顽强生存的古生物。
亚洲砖区区免费
深空116号移民飞船在太空中航行多年，亚洲即将到达宜居星球——新世界。为了熬过漫长的星际旅程，亚洲绝大多数船员都在休眠舱中沉睡, 只有一对恋人除外：无法进入休眠的通讯官尹，以及自愿放弃休眠的舰长原。一连串诡异现象的发生，打破了飞船上的平静：瘫痪多年的尹突然奇迹般痊愈，坚守岗位的原突然失去联系，人工智能柒为拯救尹而牺牲……而所有事情的起因，都指向一种能在太空顽强生存的古生物。
于娜
回复 :一个关于“时间胶囊”的机密研究项目，因能量块失窃陷入危机，引发了一系列时空穿越事故。现代人苏宝银意外接触到形似手机的能量块，流离于古代异时空和二十一世纪现代两个世界之间，美颜国王爷霍靖及两个随从为寻找她，也被意外卷入时空黑洞闯入现代。三个古代呼风唤雨的王爷将军，走入了完全陌生的现代世界，陷入囧境啼笑皆非。回到现代的苏宝银在思念王爷的同时，遇上了英俊睿智的孙警官，这背后又隐藏着什么样的惊天阴谋呢？当正义战胜邪恶，当一切终结，苏宝银又回到了原点，再遇她的爱人，却已形如陌路......
黄大炜
回复 :关于美国作曲家西格蒙德·隆伯格的传记电影。
迈可森
回复 :Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
