大唐盛世，亚洲万国来朝，亚洲唐朝皇帝举办万邦蹴鞠大赛以示国力昌盛，此时喧闹的长安城里，龙门客栈的一众人物又开始了忙碌的一天：老板娘铁掌柜（黄奕 饰）借蹴鞠大赛克扣员工薪水，爱财的劳保安（孙兴 饰）在停马场中饱私囊，仗义行侠的芙蓉姐（应采儿 饰）再惹祸端，客栈伙计白砂糖（邱胜翊 饰）盲打误撞参加盗圣大冲关比赛，并从盗圣孙午饭（何炅 饰）手中夺得盗圣牌。另一边，皇帝答应了西方来客的请求，派出马拉松冠军向被魔物掌控的国家送去圣火。仰慕唐僧的唐三句（徐铮 饰）此时正苦于找不到搭档一起重走西天取经路，这时，因失去盗圣牌而短暂失忆的孙午饭、渴望成为舞蹈家的龙门客栈服务员朱八姐（谢娜 饰）先后与唐三句结识，三个痛苦的人决定同去西方解决自己的问题。而一场龙门客栈的大火，令送圣火的任务，还有龙门客栈众人都加入了这次西行……
陈翔
回复 :马洛（迪克·鲍威尔 Dick Powell 饰）是一名独来独往的私家侦探，某日，马里特（Douglas Walton 饰）找到了马洛聘他当自己的保镖，结果马洛却莫名其妙的挨了一顿打。之后，一个叫安（安妮·雪莉 Anne Shirley 饰）的女孩现身，她告诉马洛，他所遭遇的一切和她的继母格雷尔夫人及其所拥有的翡翠有着千丝万缕的关联。对翡翠深感好奇的马洛决定将这一连串的事件调查个水落石出。在安的协助下，马洛对事件的全貌渐渐的有了了解，而隐藏在背后的，是安的父亲（迈尔斯·曼德 Miles Mander 饰）。不仅如此，不久之前，马洛受雇寻找一个名叫维尔马的女子的下落，这名女子竟然也被牵连进了翡翠的案件之中。
邓宁
回复 :影片描写了中学生的学习和生活﹐美枝刚到一所女子学校寄读﹐就遭到以芊蒂为首的富家女生的戏弄﹐看到他们经常欺负同学﹐一次舞会中﹐遂与阿蕊等人连手对付并令她们丑态面出﹐学校举行竞技大赛﹐美技等人参加﹐却体育教师拒绝﹐此时刘老师毅然担任她们的体能训练老师。众人设圈套﹐令美枝误会离开男友﹐经过激烈的角逐﹐美枝夺得了第一名。
杨天宁
回复 :Siddartha (Dhritiman Chatterjee) is forced to discontinue his medical studies due to unexpected and brutal death of his father. He has to now find a job in stead. In one job interview, he is asked to name the most significant world event in the last ten years. His reply is 'the plain human courage shown by the people of Vietnam', instead of the expected - man landing on moon. The interviewer asks is he is a communist. Needles to say that he does not get the job.He reaches a coffee shop where he is offered to work for the communist party. When he does not show any interest the party leader tells him about an opening for a medical representative. To escape from the heat and have a snooze, he goes in to a cinema. As a government propaganda newsreel is being shown before the feature, a bomb explodes in the cinema hall. In the stampede that follows, Siddartha, breaks his watch. He goes to a watchmaker but he cannot afford the repairs.Waiting to cross the road, he notices a sexy girl. He drifts back to his days as a medical student in a flashback. The professor is explaining anatomy of female breast. Many flashbacks and dreams occur to Siddartha through the film.On his way to hostel, he has an encounter with some hippies. Along with an ex-classmate, he goes out to see a porn film but to their disappointment, the film turns out to be not-so-pornographic.In such constant wandering in a Calcutta, disintegrated relationships with his sister and a Naxalite (militant communist) brother, his friendship with Keya is only thing that keeps him sane.Keya is a simple girl. They enjoy each other's company but they cannot make any commitment to each other due to the circumstances.After yet another attempt at a job interview, Siddartha leaves the big city to take a modest job of a salesman in a far off small town. He writes to Keya that he still cherishes their relationship. And that he has heard that bird call again but this time it is for real, and not his mind. After completing the letter, he comes out to the balcony of his modest room. The bird calls again. He also hears the sombre chants of a funeral procession. As he turns to the camera, the picture is frozen.This is the first film of the Calcutta Trilogy. The other two were and Seemabaddha (Company Limited, 1971) and Jana Aranya (The Middle Man, 1975). All the three films study the effect the big city of Calcutta has on the educated youth and the price it extracts from them.The seventies were a difficult period for India and West Bengal. The Corruption was rampant; the Naxalite movement had created havoc in Calcutta. In fact, they had turned parts of Calcutta into 'liberated zones'. By the time the Naxalite movement died down, in 1975, Mrs. Indira Gandhi (then, Prime Minister of India) suppressed the fundamental rights and declared "Emergency" for her own political survival. Her son, Sanjay Gandhi became a dictator of sorts without any official designation. The opposition leaders were thrown into prisons.About his social responsibilities as a filmmaker, in an interview with Cineaste magazine, Ray commented, "You can see my attitude in The Adversary where you have two brothers. The younger brother is a Naxalite. There is no doubt that the elder brother admires the younger brother for his bravery and convictions. The film is not ambiguous about that. As a filmmaker, however, I was more interested in the elder brother because he is the vacillating character. As a psychological entity, as a human being with doubts, he is a more interesting character to me. The younger brother has already identified himself with a cause. That makes him part of a total attitude and makes him unimportant. The Naxalite movement takes over. He, as a person, becomes insignificant."In a letter to Seton in 1970, Ray wrote that Pratidwandi was the most provocative film he had made till then. The film is said to have evoked extreme reactions. "People either loved the film or hated it", Dhritiman Chatterjee told Andrew Robinson, Ray's biographer.
