人这一生怎样才算不虚此行?闻善(胡歌 饰)在平衡自己与世界的关系中寻找着答案。他是一个“掉队”的普通编剧,明宫谜案一次偶然的机会让他改以撰写悼词为生。在与各色普通人的相遇里,明宫谜案闻善慰藉他人、也获得了温暖,最终找到了自己的人生方向。
人这一生怎样才算不虚此行?闻善(胡歌 饰)在平衡自己与世界的关系中寻找着答案。他是一个“掉队”的普通编剧,明宫谜案一次偶然的机会让他改以撰写悼词为生。在与各色普通人的相遇里,明宫谜案闻善慰藉他人、也获得了温暖,最终找到了自己的人生方向。
回复 :琪琪(周秀娜 饰)在一个礼拜后就要与恋爱七年的警员男友阿泽(罗仲谦 饰)结婚,在几个好友的聚会上,琪琪偶遇摄影师JACK(沈志明 饰),并在酒后与其发生了一夜情,追悔莫及的琪琪欲迅速终止这段关系,然而第二天二人再次相遇,在好友的怂恿下,琪琪等人与JACK同看演唱会,当夜琪琪意外发现了阿泽偷情的表徵,遂拉上JACK一起捉奸但一无所获,后者在离去时邀请琪琪在结婚前陪自己再度三天;另一边,执行任务的阿泽与街头女孩阿宝(杨梓瑶 饰)调换了手机,从未有过背叛女友念头的阿泽自此落入了一段短暂又不可思议的关系。马上就要结婚的二人,走上了各自的爱情岔路……
回复 :一个不知生父母为何人的年青人回到出生的小镇探寻自己身世,于是从往昔邻居妇人的口中得知了一段尘封已久的故事:独居二楼的小伙子透过破旧地板上的小洞偷窥到楼下一位美丽性感的少妇经常独守空房,而她作保安的丈夫偶尔回家,也只是把她当作泄欲工具。一天,小伙子无意拣到楼下房门的钥匙,于是他便趁夜潜入少妇房中,模仿她的丈夫与她发生关系。有了第一次后,小伙子不能按捺自己的冲动,又一次偷偷溜到楼下,然而这一次却被少妇发现,但是少妇被小伙子的真情打动,两个人自此便开始经常幽会。最终,他们的奸情被当保安的丈夫察觉,一天夜里当他们正在床上温存之时,少妇的丈夫意外回家,枪杀小伙子然后自杀,已怀有身孕的少妇在生下一名男婴之后也消失在远处的铁轨之间……
回复 :The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments.In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.