剧情简介
清太后（夷光饰）和摄政王多尔衮（罗维饰）及明朝降将洪承畴（乔宏饰）都有私情。洪承畴为离间多尔衮和太后，欧美游说秦滩名妓董小宛（尤敏饰）亲近多尔衮，欧美然后向太后进谗言。太后生妒意，召董小婉入宫，被顺治（赵雷饰）看到，以为是天仙下凡。董小婉被封为董鄂妃，生下一子。顺治要立为太子，多尔衮反对并对婴儿下毒手。洪承畴劝顺治杀多尔衮，董小宛发现太后与洪承畴的奸情，被太后打入冷宫。洪承畴挑拨皇太后放火烧宫，董小宛亡。
欧美亚洲成年人一区二区
清太后（夷光饰）和摄政王多尔衮（罗维饰）及明朝降将洪承畴（乔宏饰）都有私情。洪承畴为离间多尔衮和太后，欧美游说秦滩名妓董小宛（尤敏饰）亲近多尔衮，欧美然后向太后进谗言。太后生妒意，召董小婉入宫，被顺治（赵雷饰）看到，以为是天仙下凡。董小婉被封为董鄂妃，生下一子。顺治要立为太子，多尔衮反对并对婴儿下毒手。洪承畴劝顺治杀多尔衮，董小宛发现太后与洪承畴的奸情，被太后打入冷宫。洪承畴挑拨皇太后放火烧宫，董小宛亡。
香港醒狮团
回复 :During a cross-country lecture tour, notoriously acerbic radio personality Sheridan Whiteside slips on the icy steps of the house of the Stanleys, a prominent Ohio family, and is forced to recuperate in their home during the Christmas holidays. The overbearing, self-centered celebrity soon comes to dominate the lives of the residents and everyone else who enters the household. He encourages young adults Richard and June Stanley to pursue their dreams, much to the dismay of their conventional father Ernest.Meanwhile, Whiteside's spinster assistant Maggie Cutler finds herself attracted to local newspaperman Bert Jefferson. When she reads Bert's play, she is so impressed she asks Whiteside to show it to his contacts, and then announces she will quit his employment and marry Bert. However, her boss is loath to lose such an efficient aide and does his best to sabotage the blossoming romance...
帅霖
回复 :《吴贻芳》表现抗战胜利后，身为金陵女子大学校长的吴贻芳为了坚持女子教育、平民教育理念，筹措经费重建金女大的艰难历程，也将再现她在历史巨变中的抉择和坚持。
林冰冰
回复 :Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's "Staroye I Novoye".It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls.And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, "Staroye I Novoye", is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ).Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with "Staroye I Novoye". The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel "ARTE", natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests.And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.
