当都市御姐雪娇遇上凤凰男潘庆,彩虹当真爱面对百般刁难的岳母。在爱和不爱间徘徊摇曳,彩虹在爱和痛苦边延续自强不息。落花有意随流水,流水无心恋落花! 可能与不可能,“to be or not to be”,永远都是年轻人和家长们浪口舌尖上的主题。
当都市御姐雪娇遇上凤凰男潘庆,彩虹当真爱面对百般刁难的岳母。在爱和不爱间徘徊摇曳,彩虹在爱和痛苦边延续自强不息。落花有意随流水,流水无心恋落花! 可能与不可能,“to be or not to be”,永远都是年轻人和家长们浪口舌尖上的主题。
回复 :What could the fate of the Villa Empain, Baron Empain’s crazy project in Brussels, which has gone through a long and eventful journey since its completion in 1934, possibly inspire? Katharina Kastner’s challenge was to draw the portrait of the place, keeping in mind the work of time, like in a human existence. Shot in 16mm, her film appeals to the senses, it captures the stirring of leaves undulating in the garden light, the movement of iridescent pearls, or the colourful games of a piece by Daniel Buren. Without a word, but with a caressing camera, she pays close attention to the hidden patterns on the gorgeous marbles, or to the veins in the most precious types of wood used to decorate the rooms. In slight touches, regardless of the monumental aspect of the 27.000 square-feet villa and the pool that so impressed its first visitors, Katharina Kastner o ers an organic vision of the place, which has been marked by the trials and tribulations of life, and used successively as a museum, an embassy and a squat, until its final renovation. The clever editing makes furtive connections, underlines colour associations, mixes up times and tactile sensations, while the spaces we explore keep rustling. The film takes us on a reminiscing journey, with slices of Empain’s life, from the family archive here on a holiday, there playing on the beach, images from a distant past that keep haunting the premises. The film reveals to us this living space that was designed like a piece of art, but it does so in a wandering way. This dream vision guides us through the villa like an echo of foregone fantasies, a mental space, but also a welcoming backdrop for the work of time. A bit like the fingerprint work we see in the film, or the slight touch of a pencil on a blank sheet.
回复 :Man到不行的特警亚隆相信纪律,相信个人得为团体牺牲;他与队友们兄弟情深,却面临出状况时得找个替死鬼扛责任的尴尬局面。富家女希拉加入左派团体、朗读口号,相信为了理想,必须压抑小情小爱。当看似毫无关连的两人命运交会时,他们对各自的立场,是否仍如此肯定?
回复 :柬埔寨,被屠杀的摇滚因摇滚乐而获罪,我想 史上最为著名的当然是宇宙塑胶人。1976年此乐团吸引了一个忠实的粉丝,那时候该歌迷还是剧作家,他的文集要到很多年才传到我们手里。不久后,这帮坏小子被投进大牢,事实上他们的音乐完全无关政治 ——原因只是吸毒酗酒聚众滥交以及乐器分贝过高这些所谓的摇滚生活罢了。刑期并不长,几个月到一两年不等,但是这场短暂的牢狱之灾让他们青史留名——剧作家被惹怒了,他发动援救抗议活动,并藉此走上政途。接着便是10年后光彩的丝绒革命让这位宇宙塑胶人的铁粉当上了捷克总统。众多关于这个传奇乐团的文章开头都是,一个唱垮了政权的传奇摇滚乐团。是的,尽管身陷囹圄,但西方人所说的真理毕竟还在摇滚乐手们这边。而他们坐牢的差不多同一年,在离捷克异常遥远的东南亚,因为音乐,有无数个摇滚乐手被砍下脑袋,连名字都没能留下。