剧情简介
本片由唐佳导演，亚洲银行着名武侠小说家黄鹰编剧，亚洲银行影帝狄龙主演。剧情讲述广东十虎之首铁桥三(狄龙 饰)，乃民团总教练，时烟禁已开，鸦片公卖，官绅贩卒均以吸食鸦片为尚，而铁亦随俗吸食，功力渐受毒害不自知。烟馆主人荣峰(陈观泰 饰)乘铁无复当年勇时，公然挑战；铁勉力应战，险象环生，幸得徒弟卢瓜四(麦德罗 饰)舍身相救，才不致丧命……
亚洲建设银行网址
本片由唐佳导演，亚洲银行着名武侠小说家黄鹰编剧，亚洲银行影帝狄龙主演。剧情讲述广东十虎之首铁桥三(狄龙 饰)，乃民团总教练，时烟禁已开，鸦片公卖，官绅贩卒均以吸食鸦片为尚，而铁亦随俗吸食，功力渐受毒害不自知。烟馆主人荣峰(陈观泰 饰)乘铁无复当年勇时，公然挑战；铁勉力应战，险象环生，幸得徒弟卢瓜四(麦德罗 饰)舍身相救，才不致丧命……
吴雅梦
回复 :电影有两条主线并行推进。第一条主线讲述的是德维（瑞恰·查达饰）的故事，她与一个小伙子开房遭遇警察“扫黄”，小伙子自杀身亡，父亲帕塔克（桑杰·米什拉饰）成了腐败警官的勒索对象，德维不得不背井离乡。第二条主线讲述的是迪帕克（维基·科萨尔饰）的故事，他家是从事火葬行业的低种姓世家，但却同高种姓女生沙露（斯薇塔·特瑞帕蒂饰）深深地相爱了，但一场意外又将命运多舛的他推向了深渊。最后两条主线交会在恒河岸边。社会的矛盾、生活的无奈就这样如长卷般徐徐展开，平淡似水，又感人至深。
孙淑媚
回复 :由DJ讲述的，发生在平行宇宙的浪漫爱情故事。在伦敦，一个女孩深爱着一个男孩。而在印度，有一个男孩同样爱着一个女孩。男孩和女孩都有着相同的相貌。两个单相思的爱情故事，背负着社会地位、种姓、宗教和不平等的负担，努力的向各自奔赴。新时代的罗密欧与朱丽叶能否顺利开花结果？
戴维拜恩
回复 :The subject of Danièle Huillet and Jean-Marie Straub’s Der Tod des Empedokles (The Death of Empedocles, 1987) is the Greek pre-Socratic philosopher Empedocles (c. 490 BC – 430 BC), who lived in the Greek colony of Agrigentum in Sicily. His theories are mentioned in several of Plato’s dialogues. He maintained that all matter is made up of four irreducible elements: water, earth, air and fire. A mystic and a poet, he is considered to be the founder of classical rhetoric. He is also thought to be the last Greek philosopher to write in verse; two fragments of his works survive: Katharmoi (Purifications) and Peri Phuseôs (On Nature). An advocate of democracy, he came into conflict with his fellow citizens of Agrigentum and, as result, was banished with his young disciple, Pausanius. When he was asked to return, he preferred to commit suicide by throwing himself into the active volcano at Mount Aetna.The German writer Friedrich Hölderlin wrote two versions of Der Tod des Empedokles in 1798 and 1800, and a final third version in 1820, all three ultimately unfinished. They were conceived as five-act tragedies and all three differ in plot. According to Michael Hamburger, Hölderlin’s English-language translator,the main reason why Hölderlin finished no version of the play must be that he remained too closely identified with Empedocles, at the very period in his life when his own view of the poet as philosopher, prophet and priest – and as tragic hero – was subject to perpetual crisis and re-examination.Huillet-Straub’s The Death of Empedocles is based on Hölderlin’s first version (the longest of the three), whereas Black Sin is based on the third version.
