剧情简介
本片是來自波蘭的導演羅曼波蘭斯基的紀錄電影。本片以他的個人生活為聚焦所在，黑暗包括戰爭中的流亡經驗、黑暗妻兒的慘死和變成美國的通緝犯等戲劇性的人生大事件。
黑暗阴影
本片是來自波蘭的導演羅曼波蘭斯基的紀錄電影。本片以他的個人生活為聚焦所在，黑暗包括戰爭中的流亡經驗、黑暗妻兒的慘死和變成美國的通緝犯等戲劇性的人生大事件。
赵有真
回复 :1953年，抗美援朝战争进入最终阶段，志愿军在金城发动最后一场大型战役。为在指定时间到达，向 金城前线投放更多战力，志愿军战士们在物资匮乏、武装悬殊的情况下，不断抵御敌机狂轰滥炸，以血肉 之躯一次次修补战火中的木桥。一段鲜为人知的历史，在暗流涌动的金刚川上徐徐展开......
杨呈伟
回复 :本作品是提出“导演绝对主义”的电影实验公司“Cinema Lab”的一部作品。除了上田之外，本广克行、押井守、中小和哉也参加了该唱片公司。
周韧
回复 :What could the fate of the Villa Empain, Baron Empain’s crazy project in Brussels, which has gone through a long and eventful journey since its completion in 1934, possibly inspire? Katharina Kastner’s challenge was to draw the portrait of the place, keeping in mind the work of time, like in a human existence. Shot in 16mm, her film appeals to the senses, it captures the stirring of leaves undulating in the garden light, the movement of iridescent pearls, or the colourful games of a piece by Daniel Buren. Without a word, but with a caressing camera, she pays close attention to the hidden patterns on the gorgeous marbles, or to the veins in the most precious types of wood used to decorate the rooms. In slight touches, regardless of the monumental aspect of the 27.000 square-feet villa and the pool that so impressed its first visitors, Katharina Kastner o ers an organic vision of the place, which has been marked by the trials and tribulations of life, and used successively as a museum, an embassy and a squat, until its final renovation. The clever editing makes furtive connections, underlines colour associations, mixes up times and tactile sensations, while the spaces we explore keep rustling. The film takes us on a reminiscing journey, with slices of Empain’s life, from the family archive here on a holiday, there playing on the beach, images from a distant past that keep haunting the premises. The film reveals to us this living space that was designed like a piece of art, but it does so in a wandering way. This dream vision guides us through the villa like an echo of foregone fantasies, a mental space, but also a welcoming backdrop for the work of time. A bit like the fingerprint work we see in the film, or the slight touch of a pencil on a blank sheet.
