吃货皇后2
地区:美国
  类型:古装
  时间:2025-01-31 09:55:49
剧情简介

看点:吃货圣诞温情大战摇动的水晶球里彩纸纷飞,吃货厚厚的积雪覆盖着房顶,虽然离12月25日还差一个多月,一年期待的圣诞也就慢慢准备开来。既然快圣诞,画面里总缺不了红衣白胡子的胖伯伯身影。12年前的感恩节,迪斯尼就涮了圣诞老人一把,没怎么费力,《圣诞快乐又疯狂》就卷走了1亿4千5百万美元,睽违8年之后,圣诞老人为找老婆又《圣诞快乐再疯狂》了一把,票房成绩更突破了一筹。迪斯尼自然不会放过这棵圣诞档摇钱树,召集回原班人马,先让圣诞老人拜见岳父岳母,然后骗他丢掉工作,完全喜剧人性化的白胡子伯伯有了圣诞档的加油助威,保管能烧掉不少观众腰包里的钱。家庭温情、温和笑料和不嫌其多的圣诞气氛,《老友记》的导演,配上喜剧当家的男主角蒂姆·艾伦那张圣诞气氛浓厚的脸,这圣诞节之前的“圣诞老人vs.霜人”大战,凭着全家老少同乐的G的评级,打定了抢劫老美钱包的主意!其它: 圣诞将拥有新面貌了!暖洋洋的红色会被冰块取代,一切将会变成冰冻世界,忙着处理家庭内事(疯狂的岳父岳母、怀孕的妻子和前妻一家)的圣诞老人斯科特被搅得头脑发昏,竟然丢失了圣诞所有权!在冰天雪地的北极里,调侃圣诞老公公的喧闹喜剧就此上演。 因圣诞老人从房顶跌下而意外接替这项特殊工作,还当了12年精灵们票选的最佳圣诞老人斯科特,每一上银幕就忙着拯救圣诞--不是意外丛生就是遭遇叛变。像每一个普通人,他必须结婚生子,老是面临麻烦,还必须把肥肥胖胖的肚子挤进烟囱,连圣诞老人这份职业也老被人觊觎,说不清什么时候就会失业。这也许只像是让人大笑发晕的无厘头喜剧,可对于相信圣诞的人们,能像童年一样相信世上真有精灵、驯鹿与白胡子老头,便是圣诞最好的礼物。

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明星主演
利得汇
泰斌
柯有伦
最新评论(532+)

李瑞熙

发表于9分钟前

回复 :Unhappy in his job and unlucky in love, Joko reunites with a childhood friend and gets the spark of hope he needs to win back his ex-girlfriend.


丁子峻

发表于1分钟前

回复 :通过伊利诺伊州一户有机农场主的视角,展现了一批历经大工业化农业运作模式的农场主对于更加环保更加健康的农作方式的探索和坚持。America is facing a food crisis driven by profitability and a lack of consumer education. While the window to transforming our heartland continues to shrink, passionate individuals have emerged who provide hope that the health of our nation might still remain within our grasp. Sustainable weaves together expert analysis of America's food and farming system with a powerful narrative of one extraordinary farmer who is determined to create a sustainable future for his community. Amidst the cornfields of Illinois lives the hero of the film - Marty Travis, a seventh-generation farmer who watched his land and community fall victim to the pressures of big agribusiness. Determined to create a proud legacy for his son, Marty transforms his profitless wasteland and pioneers the sustainable food movement in Chicago. The film unearths the future of agriculture - a marriage of age-old tradition and groundbreaking science. Industry pioneers from around the nation reveal the secrets behind human ...


胡俊

发表于7分钟前

回复 :Inspired by W.G. Sebald’s book and based on WWII archive footage, the film puts forward the question: is it morally acceptable to use civilian population as a means of war? Is it possible to justify mass destruction for the sake of higher “moral” ideals? The question remains as relevant today, as it was 80 years ago, and its urgency is tragically manifested in the current events.


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