剧情简介
郑和的妻子被发现死亡，梨梨恋知他涉嫌谋杀，但对晚上的事一无所知。他的记忆会恢复吗？他是无辜的吗？韩国导演的一部轰动一时的处女作。
梨梨恋知舟&偏偏爱上你
郑和的妻子被发现死亡，梨梨恋知他涉嫌谋杀，但对晚上的事一无所知。他的记忆会恢复吗？他是无辜的吗？韩国导演的一部轰动一时的处女作。
冯翠桦
回复 :公元73年，班超“投笔从戎”,率三十六人出使西 域，以“不入虎穴焉得虎子”的英雄气概，收部善、破莎 车、胜龟兹，打败北匈奴，设立西域都护府，打通了尘封 65年之久的丝绸之路，西域再次回到东汉中央王朝的怀抱。 人之初，性本善——班超传播和推广汉文化，并将中原先进农业技术带到了西域，开挖井渠灌溉农田，羊肥马壮，国富民丰，安居乐业，一派祥和的太平盛世。一位英俊的少年骑了一匹骏马飞驰而来，他叫班勇，是班超与长夏之子。
卢巧音
回复 :The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years.At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with.But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood.I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential.by D.R. SHIMON@lounge.moviecodec.com
彭坦
回复 :清贫的女学生彩子因生活所迫与供职于高校的医学副教授泷川亮吉（小泽荣太郎 饰）结婚，然两人性格年龄皆有较大差距，婚后生活并不和谐。泷川的学生幸田（川口浩 饰）适时走入他们的生活，这让彩子既感欣慰，有承受更大的痛苦。夏日某天，泷川同妻子、幸田去北穗高泷谷攀岩。泷川失足滑落，三人性命危在旦夕，彩子最终割断绳子，致使泷川坠崖身亡。事后彩子被捕，法庭上双方围绕彩子是否蓄意谋杀而展开激烈的辩论，作为当事人的彩子和幸田，也不得不去面对内心的真实感受……
