父亲钱建国为了让钱多多走出网络世界，午夜用各种办法让儿子过上正常人的生活，午夜结果均以失败告终……一日，一个叫“叶子”的女性网友引起了钱多多的注意，他的一举一动叶子都能预知，这让钱多多感到惊讶又神秘。叶子慢慢地改变了钱多多，钱建国喜在心上。 叶子生病不能完成 “大美临沧，绿色天堂”的摄影作品，钱多多英雄救美主动提出前去临沧帮叶子完成任务并想去寻找她。一些外形叶子的女孩一次次在钱多多身边出现，让多多囧态百出，多多的临沧之旅曲折坎坷、啼笑皆非。在佤族摸你黑民族节庆上，钱多多终于知道了整个事情都是他父亲钱建国设的一个局，叶子并不存在，他心灰意冷无法接受，又回到游戏的世界。钱多多是否能理解父亲钱建国的良苦用心，走出阴影找到生活中真实生活中的“叶子”呢？
小刀
回复 :Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
陈琼美
回复 :Man（李中宁）与豪放大胆的女友Gigi（顾杰）友而不婚，极尽享受人生。John（陶大宇）是Man的同事兼室友，姓格却保守内向。一夜，Gigi被飞仔调戏，Man施展绝招将对方击退，却遭高空掷物打中头部猝死，Man在阴间得悉阳寿未尽，赶回阳间，但禸身已遭火化，Man清急之下胡乱找一禸身，是女体，Man苦恼不已。Man以女姓之身返家，被Gigi误为Man生前玩伴，Gigi愤然离去，Man欲辩无从，唯有认作Man之表妹Mandy（陈颖芝），迫John勉强收留“她”。Mandy以经理（曹查理）的绯事为胁，重回旧职，但与Gigi的一段旧清却无法挽回，佳人已投向别人怀抱。
小淘气家族
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