剧情简介
巴西儿童题材影片。根据作家HildaHilst的两部短片小说改编，行儿行该片以不同寻常的屏幕比例拍摄（2.83：行儿行1），一个13岁的小女孩和她的母亲住在一个与世隔绝的地方。他们正在等待他们的父亲和丈夫回来。但取而代之的是，另一个男人出现了，改变了母女之间的关系
行儿行吧春暖花开cc
巴西儿童题材影片。根据作家HildaHilst的两部短片小说改编，行儿行该片以不同寻常的屏幕比例拍摄（2.83：行儿行1），一个13岁的小女孩和她的母亲住在一个与世隔绝的地方。他们正在等待他们的父亲和丈夫回来。但取而代之的是，另一个男人出现了，改变了母女之间的关系
熊汝霖
回复 :Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.Roger Philip Mellor
何嘉乐
回复 :蓟城深秋萧瑟，凌晨四时，市第一百货大楼楼下警笛呼啸，人头攒动。高耸的大楼直入黑夜，一位美丽的姑娘站在楼顶望着远方，她叫黄闻莺。远方城市的另一头，是一场狂热的个人演唱会在酒精和汗水的包裹下到达了高潮，舞台中央的万众瞩目是一名刚刚蹿红的摇滚歌手，名叫曲阳。作为服装部年轻女售货员，几天前，这个叫黄闻莺的女孩在医院确诊，患有了不治之症。但青春并未因此而消沉，随着在这座城市的生活，她遇到了自己从未遇到的情感，几个年轻人的爱恨纠葛和城市不为人知青春热血逐渐四溢。
田原俊彦
回复 :U.F.O. Blue Christmas
