在七岁那年，樱杉达林（凯文·史派西 Kevin Spacey 饰）被医生预言，樱杉无法活过十五岁。然而，在母亲波利（布兰达·布莱斯 Brenda Blethyn 饰）、姐姐妮娜（卡罗娜·艾伦 Caroline Aaron 饰）和杰夫查理（鲍勃·霍斯金斯 Bob Hoskins 饰）的帮助和支持之下，达林最终长大成人，并且成为了一名小有名气的歌手。之后，达林遇见了史蒂夫（约翰·古德曼 John Goodman 饰），在后者的帮助下，达林成为了当时最有名也是最受欢迎的爵士乐手。一次偶然中，达林结识了名为桑德拉（凯特·波茨沃斯 Kate Bosworth 饰）的女演员，两人迅速坠入情网，并且不顾家人的反对结为夫妻。然而，好运似乎就此截然而止，达林的事业陷入了低谷，感情遭到阻碍，就连健康也在急剧恶化。
丁宁
回复 :1970年代的特攝英雄節目《銀假面》及《超級機器人 紅巴隆》TV放送後經過40年以上，2017年今年秋季真人電影化《BRAVE STORM ブレイブストーム》上映決定！本作是2作品於同一銀幕上共演的SF動作電影。主演是《熱血高校(Crows Zero)》系列的大東駿介及《假面騎士OOO》的渡部秀2人，製作由圓谷製作的元代表取締役副社長・岡部淳也創立的株式会社BLAST負責及監督。電影舞台是人類即將滅亡的2050年的東京。極少數作為剩餘的人類生存著的春日5人兄弟（大東、山本千尋(捷德女主角)、タモト清嵐(巨蟹座Zodiarts、壇蜜、春日光一），回到キルギス星人開始侵略地球前的過去，實行抹殺キルギス星人的計劃。將奪取的巨大機器人設計數據、宇宙人探測玻璃瓶、通靈能力、強化戰鬥服“Silver”得到手，並前往2015年。然後，他們與機器人工學者・紅健一郎（吉沢悠）接觸，委託製作巨大機器人“紅巴隆”。而且健一郎的弟弟，血氣方剛的拳擊手・紅健（渡部），作為紅巴隆的操縱者，捲入掌握地球存亡關鍵的壯絕戰鬥之中。電影還會有泉谷しげる(牙狼D蘋果)、寺脇康文、藤田富(Amazon Omega)也出演。
原梓霏
回复 :陈惊（徐璐饰）是一个古灵精怪、敢爱敢恨的姑娘，江湖人称“神经”。作为音乐附中的奇葩人物，陈惊人缘欠佳只有男闺蜜“油渣”（彭昱畅饰）甘愿为她鞍前马后。自信满满的陈惊恋上了校草师哥，不料却遭到校草的嘲笑和奚落，还引起了校园两大院系之间的大混战。为了向师哥证明自己，陈惊联手“502宿舍”神秘人物组成2.5次元乐团，挑战权威、破除成见，上演了一幕幕生猛搞笑的青春趣事。一个懵懂怪力的少女，一场默默守护的爱恋，一群奇葩义气的小伙伴，“神经女孩”如何逆袭成为“闪光少女”？2017年暑期《闪光少女》放肆揭晓——不一样，又怎样！
南宝拉
回复 :Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
