讲述了八个哥伦比亚游击队少年在山区基地中看守一名美国俘虏的故事,夫妻他们经历的一系列事件让人开始反思成长、夫妻反叛、规训等主题。雨林、山丘、激流的壮丽背景与叙事的残酷相辅相成,精彩的配乐和变幻莫测的剪辑同样令人赞叹。本片获第35届圣丹斯电影节评审团特别奖。
讲述了八个哥伦比亚游击队少年在山区基地中看守一名美国俘虏的故事,夫妻他们经历的一系列事件让人开始反思成长、夫妻反叛、规训等主题。雨林、山丘、激流的壮丽背景与叙事的残酷相辅相成,精彩的配乐和变幻莫测的剪辑同样令人赞叹。本片获第35届圣丹斯电影节评审团特别奖。
回复 :PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences.We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film.PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string, being a real malicious bastard, and for the umpteenth time in his career, playing two roles in a one film.http://www.dvddrive-in.com/reviews/n-s/panicbeats8283.htm
回复 :我不知道……這世上除了奴隸和家畜外……還有在那以下的世界……一切,是從一封簡訊開始的。裡面的內容是早已認不出原貌的同伴的模樣以及被硬拔出的兩對肋骨……。以設下仙人跳勒索金錢的龍夫,在一次恐嚇取財中惹到流氓,從此之後,龍夫的生活便一直往黑暗的深淵墜下,恐怖、恐懼的心情更是如影隨形!帶給他這一切的顫慄的〝斑馬〞到底是什麼人!?直到遇到那個男的之後……。
回复 :钟童卉是一个默默无闻的平面模特,幼年时曾目睹母亲自杀,从此噩梦缠身。某天工作间隙,童卉接到了一封神秘的葬礼邀请信,死者是童卉的富豪姨妈。童卉来到了姨妈的偏僻豪宅,认识了隔壁温文尔雅的方太太,还结识了同来参加葬礼的帅哥李百乐。与此同时,母亲自杀时的场景又在童卉的噩梦中出现,更可怕的是,卧室的浴缸里渗出了血水。童卉随李百乐悄悄调查,看到姨妈的房间像是仍有人住。童卉的疑惑日渐增多,唯有李百乐的陪伴是她唯一的安慰。某日两人散步时却路遇一对歹徒,歹徒骂李百乐忘恩负义,改名换姓做起小白脸。当歹徒将李百乐的戒指抢走时,李百乐顿时像是换了一个人,他的眼神里露出惊恐和无奈,嘴里蹦出一个词:救我!