剧情简介
在一名年轻的房地产经纪人被残忍杀害后，冷酷的侦探试图在这个一切都与表象不符的案件中揭开真相，并打破他自己生活中的幻象。
王子与贫儿
在一名年轻的房地产经纪人被残忍杀害后，冷酷的侦探试图在这个一切都与表象不符的案件中揭开真相，并打破他自己生活中的幻象。
高瑞欣
回复 :Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.
龙千玉
回复 :赵均与娟娟是一对恩爱夫妻，而暗恋娟娟的浩明却以望远镜偷窥意淫.某夜，浩明潜入娟娟房中被赵均发现，赵均在殴打中受伤导致性能力丧失，无法满足娟娟，遂决定赴美就医，娟娟再度与浩明相遇，当晚，两人积压已久的欲火便在庭院中释放开来，之後，两人便沉浸在爱的欢L中 . 好景不长，赵均从美国返回，欲重拾夫妻生活，浩明不肯分手，司机小丁并以两人私情向娟娟勒索要钱，甚至以作爱苟合为交易的筹码，人和财都要，一连串悲剧接踵而至，一场爱与欲的纠葛，一步步走向毁灭悲剧.......
阮经天
回复 :与恋人分手后伤心的诗织，每晚都梦见被神秘男子拥抱。陶醉于淫梦的她，渐渐变得妖艳起来。但是某天，梦中的男人变成了可怕的样子出现在现实世界中……
