《花姑子》：最强安生是一位个性非常善良的翩翩公子，最强一次偶然中，他就下了一只老香獐，这救命的恩情被老香獐的女儿花姑子深深的记在心里。某日，安生在树林里迷路了，误打误撞闯入了蛇精设下的迷魂阵中，最终不幸丧生。为了报恩，花姑子杀死了蛇精，救活了安生。《荷花三娘子》：教书先生宗湘若非常喜爱荷花，却在误打误撞之中迎娶了修炼成精的狐女。狐女遭到了游方和尚的镇压，身陷囹圄，宗湘若不忍心看到狐女受苦，于是乞求和尚释放狐女。为了报答宗湘若，狐女带领宗湘若找到了他魂牵梦绕的荷花三娘子，促成了一段美丽的姻缘。
林灵
回复 :Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
陈威全
回复 :露比是一个城市里普通人，开着公交车，这在城市里来来回回地穿梭。她正在努力让自己不去回想起那些不愉快的往事。4年前，她还是一个充满活力的医学院学生，她碰到了一个叫做德瑞克的男人，她和他结了婚，过上了自认为的幸福生活。可是不幸却降临到了这个小家庭身上，德瑞克犯了罪，被判了8年的有期徒刑。于是，这对新婚的夫妻从此便过上了大墙内外的生活。对于露比来说，这种生活更为困难一些，因为她要学会自己独处、并且慢慢等待时间的消逝…… \r德瑞克获得了减刑的机会，而露比也在世俗的生活中遇见了一个叫做布莱恩的公车司机。一面是还有刑期但是就要出狱的老公，而另一边则是唾手可得，并没有道德焦虑的幸福生活。露比发现自己处在刀锋的两端，她的生活开始慢慢进入纠结和困顿。
飞轮海
回复 :一个路边强盗不情愿地同意成为一个旅游赌徒/骗子的肌肉。为了从叛国军阀那里偷东西，他们与那些希望用财富来资助革命的叛军战士打交道。@www.molikan.com
