剧情简介
罗伯特上校正在进行一次“城市肃清”行动。在法律之外，精品他独自单挑各种势力，精品从街头混混到高层政客。然而这种行动却越发激进，却造成了警局的困扰，罗伯特以前的士兵威廉姆斯决定联合当地警局，将一发不可收拾的罗伯特拉回正轨，绳之以法。
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罗伯特上校正在进行一次“城市肃清”行动。在法律之外，精品他独自单挑各种势力，精品从街头混混到高层政客。然而这种行动却越发激进，却造成了警局的困扰，罗伯特以前的士兵威廉姆斯决定联合当地警局，将一发不可收拾的罗伯特拉回正轨，绳之以法。
李漠
回复 :墨西哥影片《露西亚之后》获“一种关注”最佳影片奖 该片由墨西哥导演米歇尔·佛朗哥执导，讲述了一对父女搬迁到一座新的城市，接受新生活的挑战，女儿在学校遭受校园暴力，该片在戛纳展映时受到好评，许多观众含泪离开影院。
张文森
回复 :林小龙一直希望自己有朝一日能够成为真正的功夫高手！但梦想终归是梦想，艰难度日的林小龙开始怀疑他的“功夫梦”到底能否实现。因为一个可以实现穿越的月光宝盒，导致了全城人心惶惶的“城市大劫案”，林小龙以为终于有机会用功夫证明自己，还可以借月光宝盒穿越过去见到自己的偶像李小龙，但事与愿违，林小龙不仅打不过坏人，就连偶像李小龙都否认了他。祸不单行，女友和大师兄身陷囹圄。林小龙仿佛突然明白了功夫真正的含义。它决不是用来逞英雄证明自己的利器，它是救人于水火，保护他人的能力。
梁祖尧
回复 :Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
