莎拉（布莱特妮•墨菲 Brittany Murphy 饰）出身豪门，欧美天生叛逆的她从来不想接受父母的安排：欧美家人安排的高薪厚职她不屑一顾，反而当起了一名作家；对于他们安排的富有的“未来女婿”，她更是深恶痛绝。这天，莎拉偶遇了出身平凡的交通报道员汤姆（艾什顿•库彻 Ashton Kutcher 饰），两人很快堕入了爱河。然而莎拉的父母坚决反对，原因很简单，汤姆出身平民，平平无奇，这和他们心目中的乘龙快婿相去甚远，他们可不想这个平凡的男人成为家里的一份子。于是，在萨拉和汤姆婚后度蜜月时，一场旨在拆散这对小夫妻的闹剧上演了。加上两人出身的文化差异，萨拉和汤姆能否在新婚告急时共渡难关？
袁小迪
回复 :长命百岁是否必然幸福？ 孝与不孝如何界定？ 离与留又该如何取舍？纪录片《伴生》娓娓道来两代人对生与死的价值观的差异和矛盾。有人因不忍父亲饱受病魔折磨及丧妻之苦，而祈求父亲能早归天家；有人因长期照顾患病父母而心生压力，渴望开展自己的生活；有人因母亲健康急转直下反而重建分隔多年的关系。 一生建构的种种链接，伴随死亡，是否能瞬间化为烟霞？"Does longevity bring happiness? Would it be unfilial if you wish the death for your father? Departure or continuous to suffer, a hard choice to make?Snuggle shows the value difference of 'life and death' between two generations. Someone wishes the death for his father because he cannot stand watching his father suffering from illness and loneliness; someone feels so stressed that she has to sacrifice her life to take care of her parents; someone happens to restore the relationship with his mother because she is unwell seriously. When it comes to death, would all those relationships we have in this life last for one more second?"第23届香港电影评论学会大奖
小仪
回复 :本片为独立纪录片导演蒋能杰留守儿童三部曲的第二部，另外两部分别为《路》和《加一》，蒋能杰致力于用影像关注社会，用镜头呼吁更多人关注留守儿童，重视乡村教育。 本片荣获第三届 凤凰视频纪录片大奖 最佳纪录长片奖、法兰克福影展 一等奖。2009年：首次走进村小，镜头记录临时学校的22个学生（其中17个为留守儿童），同时关注村小艰难申请重建。2010年：重建后的村小调来张老师教两个班，代课十几年的张老师老为转正问题烦心和奔波，跟拍的留守儿童的学习、心理、生活也面临着种种问题。2011年：代课的 张老师因种种不满，已离开村小，跟拍的孩子们面临的问题愈加严重。2012年：由于媒体的力量，村小的物质条件有所改变，但好像无力改善更多。2013年：留守儿童生活看是没什么变化，其实在悄悄变化着。2014年：又是一年春节，而跟拍的留守儿童家庭 …… 。2009: First glance at the village school, in which the lives of 22 students including 17 left-behind children, together with the unsmooth application of the school’s reconstruction, were focused on.2010: Teacher Zhang, a supply teacher with more than 10 years teaching experience, was assigned to the reconstructed school. While in charge of two classes, he was concerned about, and striving for the obtainment of permanent teaching status. Meanwhile, folks began to doubt on the quality of the school buildings, as the left-behind children were facing numerous problems in life, study and emotion.2011: Mr. Zhang left the school out of dissatisfaction. After he left, the problems those left-behind children were confronting with became more serious.2012: Thanks to the media, the material condition of the village school began to turn around. However, it still had a long way to go.2013: The situation of those left-behind children seems unchanged, but it turned out to get changed day by day.2014:As another Spring Festival comes, what is going on in those left-behind families?
刘承俊
回复 :一位黑人演员即将登台表演，他迎向舞台中央享受热情如火的掌声，从这个马戏团开始，他有著身为命运小丑最灿烂及黯淡的光影聚焦。在巴黎最美好的年代，成为第一位登台表演的巧克力色人种，这是属于他的特异，可能也是不幸。命运偶然，当他遇见福提特成为表演搭档后便迅速窜红，引起群众热潮，在舞台的星 光灿烂之下──赌博、歧视、崛起与堕落，将串起他们特殊及迥异的传奇一生。
