剧情简介
影片讲述一个欧洲骗子和她儿子的故事，国产他们来到奥克拉荷马州，国产奥利弗依靠自己的骗技进行了一次又一次冒险，她极力想摆脱过去的生活，给儿子美好的未来，在离开她所爱的人与给儿子博比美好未来之间，她必须做出决定。
国产精品户外野外
影片讲述一个欧洲骗子和她儿子的故事，国产他们来到奥克拉荷马州，国产奥利弗依靠自己的骗技进行了一次又一次冒险，她极力想摆脱过去的生活，给儿子美好的未来，在离开她所爱的人与给儿子博比美好未来之间，她必须做出决定。
马珊娜
回复 :夏晓黎在外地读书，突然收到家里让她速回的电报。晓黎回到海城才发现家里的客栈一片破败，只剩下老伙计老刘一个人，老刘告诉她姐姐已经死亡。深夜，空荡荡的客栈里，突然从后院里传来了若有若无的歌声，晓黎跑出去，却找不到人。次日，一个名叫小七的小伙子来店里应聘伙计，晓黎觉得他有点不对劲，但还是把他留下了。半夜，晓黎被一声响动惊醒，跑到姑姑房间一看，老刘躺在地上，胸口插着一把刀，慌乱中晓黎抽出了他胸口上的刀，老刘倒地身亡。晓黎怀疑是小七所为，要去报警，却被小七拦住，他说刀上有晓黎的指纹，而且她满身血迹，到了警察局肯定说不清。晓黎不知所措，只好听任小七安排。第二天一早，小七若无其事地开门营业，一个风度翩翩的男人来住店，他是穆枫。穆枫和小七好象认识，两人趁晓黎不在的时候还发生过争执。两人争相对晓黎表白自己是好人，更奇怪的是，两人还先后潜到姐姐房间寻找什么东西。晓黎感到身边的这两个男人都不可靠，而且姐姐姑的房间里一定藏着什么秘密，她决心留下来查出姐姐的真正死因。经过仔细查找，小黎在姐姐的日记上发现了有一个男人和姐姐有情感纠葛。晓黎认定穆枫和小七一定和姐姐的死有关，可苦无证据，只好继续不动声色地暗中观察。然而，更离奇的事情发生了：一天深夜，姐姐竟然回来了，可她已经人事不知。姐姐到底是生还是死？那个与姐姐有关的神秘男人究竟是谁？老刘又是被谁所害？苍凉空旷的客栈里到底隐藏着什么惊天秘密？
邓健泓
回复 :凯特（艾米莉亚·克拉克 Emilia Clarke 饰）是一个非常平凡的女人，每天都过着浑浑噩噩的日子，她的个性和一连串错误的选择导致她如今只能在一家全年无休的商店里当店员。无家可归的凯特借住在朋友家里的沙发上，虽然凯特有一位很爱她的母亲阿黛拉（艾玛·汤普森 Emma Thompson 饰），但凯特却因为某些心结而拒绝回家和母亲同住。某日，一位名叫汤姆（亨利·戈尔丁 Henry Golding 饰）的男子出现在了凯特的面前，成为了照亮她前路的明灯，汤姆的出现让凯特开始意识到自己的人生或多或少出现了问题，在汤姆的帮助之下，她开始正视自己和母亲之间的矛盾，并且开始一步一步的纠正自己错位的人生。
纪晓君
回复 :A massive earthquake strikes the United States, which destroys the West Coast and unleashes a massive flood that threatens to destroy the East Coast as well.If you're wondering about this film and why it's dubbed in Italian, then read the following comment from IMDbI have always wondered about the disappearance of Deluge. Why for so many years, seemingly since it's release in 1933, this film vanished from the face of the earth. After seeing it, courtesy of the efforts of Mr. Wade Williams Co., I'm still puzzled, but I have a theory. In 1933, the code was enacted that pretty much took care of sex and violence in Hollywood. While not an explicit film by any means, Deluge does deal fairly frankly with sexuality, lust and rape. I wonder if RKO discovered they had a film that they could not re-release, much like the fabled lost Warner Bros. comedy Convention City. It's a shame for, while it is a dated film, I find it quite unique and surprising for it's era and a fairly successful attempt to create something different in an era when films were already becoming cookie cutter by-products of the studio machine (not that many of those cookies aren't tasty, mind you). And even though the only available copy at this writing is dubbed into Italian, I don't find that a hinderance. An excellent job was done in subtitling the film, and much of the film is visual anyway.
