萝莉（乌比·戈德堡 Whoopi Goldberg 饰）是一位精明干练的财务分析师，日韩虽然都说女性对于数字不如男性敏感，日韩但萝莉强大的业务能力很显然能吊打她的大部分异性同行。可即便她是这样的优秀，在男人主导的华尔街中，萝莉依然感到无法施展拳脚，处处受到性别的限制，一怒之下，萝莉提出了辞职，并且将自己的房产抵押了出去，决定成立一间完全属于自己的公司。在寻找投资人的过程中，萝莉屡屡受挫，很多人刚看到她的性别，就对她的能力产生了怀疑。在前同事莎莉（黛安娜·维斯特 Dianne Wiest 饰）的帮助之下，萝莉得到了和大主顾唐纳（伊莱·瓦拉赫 Eli Wallach 饰）见面的机会，能不能出人头地，全看这一次了。
索朗扎西
回复 :11岁的女孩艾瑞（凯特·马伯里 Kate Maberly 饰）跟着家人从苏格兰搬到了美国，在那里，他们家拥有一大片田地。收获季来临了，艾瑞的父母雇佣了一批墨西哥劳工到地里收割庄稼，艾瑞因此结识了名为奥斯卡（Jonathan Hernandez 饰）的男孩，趣味相投的两人很快就成为了朋友。艾瑞的姐姐简（Carolyn Hurlburt 饰）在城市里认识了男孩托德（Dallen Gettling 饰），虽然托德长得一表人才，却是个华而不实的绣花枕头。当托德看见简和奥斯卡的哥哥马库斯（Mark Hardy 饰）一起在地里劳动的场面后感到非常的不满，与此同时，艾瑞因为和奥斯卡交好，也遭到了周遭人的排挤和嘲笑，这令艾瑞感到百思不得其解。
黑盒
回复 :影片前半场，一般幸福家庭生活叙述，与出场人物描述，主角是有线电视营运商，家中成员在一次意想不到的情况下，杀了警政署长的儿子。虽然没有飞天遁地、以一人对抗十人的英雄，但这些叙述都是在为后半场铺陈，缺一不可。请耐住热血，用心看完。影片后半场，主角如何顽抗警察，如何挽救家庭，宛如上帝般创造了日期，不在场的日期。这一连串的为什么…为什么会这样，…为什么会那样，整个剧情令您离不开沙发，憋尿也要看完知道为什么。没有帅哥，没有美女，剧情贴近生活，又那么不可思议，看完后，最大的收获是：你又多一位偶像了。虽然本片网络搜寻的知名度不高。但好片是大家模仿的对象。山寨版的重拍片(Drushyma泰卢固语)7月份已上映。本片制作成本只有4500万卢比，票房收入却高达5亿印度卢比，成为史上最卖座马拉雅拉姆语影片，上映时间更是突破100天，获奖无数。
赵默
回复 :A most pleasingly atmospheric rendition of the tale, noirishly photographed and moodily set, this is the version which probably would have delighted Conan Doyle the most. There is one important plot change which enables the beautiful Alice Brandt to enjoy both a larger role and a more intriguing part in the proceedings. This change also builds up the parts of Dr Mortimer and Lord Charles, yet at the same time provides a nice introduction to the is-he-sinister or is-he-a-good-guy Barrymore, deftly played here by Fritz Rasp.Despite the sting of its well-developed story, the spellbindingly atmospheric direction and the engrossing performances delivered by the entire cast, many fans may find this version somewhat disappointing. For at least three reasons: As in the novel, the part played in the narrative by Sherlock Holmes, though vital, is minimal. And in this version, not only has no attempt been made to enlarge his role, if anything both writer and director do their best to minimize it. Holmes does not even make his entrance for half-an-hour, and when he does finally appear, he has his back to the camera. It is Fritz Odemar, as Dr Watson, who receives the more favorable camera angles. And there is a purpose in this. It is Watson, not Holmes, who figures as the main protagonist of The Hound of the Baskervilles. For the bulk of the narrative, Holmes disappears. It is Watson and Lord Henry (Peter Voss) who take up the running. The movie is almost over, before Holmes closes in on the villain. And even so, this is not the obsessed, self-important Holmes we are accustomed to see taking charge. Another problem is that the title hound itself does not figure a great deal in the action, a downgrading which will undoubtedly rate as another major disappointment for fans. And finally, it could be argued that the script gives too much attention to Conan Doyle's red herring, the escaped convict, and not enough to the real villain.This said, it must surely be admitted by all, that Odemar's interpretation of Watson—intelligent, charming, level-headed, courageous and resourceful—is much closer to Conan Doyle's conception than either the bungling, inveterately stupid Nigel Bruce or the self-effacing Ian Fleming.One other player deserves special mention: Erich Ponto (Dr Winkel in The Third Man) who seems exactly right for Stapleton. A difficult part, superbly played.- JohnHowardReid, imdb
