国产"The Driver" is specialist in a rare business: he drives getaway cars in robberies. His exceptional talent prevented him from being caught yet. After another succeeded flight from the police, a self-assured detective makes it his primary goal to catch the Driver. He promises remission of of punishment to a gang if they help to convict him in a set-up robbery. The Driver seeks help from the player Isabelle to mislead the detective.
乱弹
回复 :深入黑熊的家 寻找山的灵魂。每年10月过后，野生的台湾黑熊陆续从各个山区，前往八通关日本越岭古道上的大分，享受一年一次丰盛的青刚栎果实飨宴；而长期研究台湾黑熊的黄美秀团队，必须在2个月前就先翻山越岭进驻山区、并架设陷阱，等着和野性十足的台湾黑熊面对面、展开最近距离的接触。麦觉明导演跟着黄美秀团队跋涉山水，漫长的等待后，黑熊一旦出现，就必须与时间赛跑，用最短的时间完成捕捉系放的研究过程。甚至要照养在南安发现的迷途小熊，这一切都是为了让濒危的台湾黑熊，能够在原本就属于它们的山林家里过得更安全、自在，并且生生不息……
约翰列侬
回复 :黄文展“狗头”（任达华 饰）和何家宝“猪女”（徐子珊 饰）是香港CIB（Criminal Intelligence Bureau）的职员。CIB俗称香港警察中的狗仔队，里面人人行动低调样貌平凡，但却对罪犯有极其灵敏的嗅觉。狗头和猪女这次的任务是追踪珠宝劫案的疑犯陈重山（梁家辉 饰）。陈重山是个犯案“天才”，对躲避警察追捕有丰富经验和巧妙手段。这次CIB行动，比平时都更为艰巨。尽管已经警方十面埋伏，狗头和猪女都使出浑身解数，陈重山还是屡屡逃脱。一路的跟踪就好像猫捉老鼠，没完没了。陈重山似乎有神奇的力量，闻到警察追到身边的气味。眼看有警员在追踪过程中殉职，狗头和猪女心急如焚。
林姗
回复 :"The Witch Burnt Alive"After a very long, but visually arresting animated opening credits sequence, Luchino Visconti (Death in Venice) directs the first story, which is the longest of the five, taking approximately a third of the film's running length. Mangano plays a superstar actress and model who travels to a mountain resort, only to find the well-to-do inhabitants have prejudices and preconceived notions about her based on her public persona. The women are all jealous and the men all want to sleep with her, but all Mangano wants is to be left alone. It's a mostly somber satirical piece, but story-wise, it languishes in its modest idea a bit long, becoming inconsequential to all but those fascinated by the realities of being famous."Community Spirit"Bolognini's piece isn't really a story. It's more of a visual gag, in a short segment that features Mangano offering to take an injured man to a hospital, driving him at breakneck speed throughout the city, but not stopping at locations where he might find aid. I won't give away the punchline here, but it succeeds in being amusing, even if it's the kind of thing that only is interesting the first time through."The Earth Seen from the Moon"The esteemed writer/director, Pier Paolo Pasolini (Salo), crafts the middle segment, which is the most artistic and memorable of the five. Reminiscent in style to "Don Quixote", a recently widowed father and his son travel around the country in search of a new wife and mother, and after a long period, they discover the literally speechless Mangano. She brings joy into their lives, but they are poor, and in order to find a better life for themselves, they concoct a scheme to try to make some quick cash. The story is contrived, and not completely interesting, but the outlandish performances, artwork, and costumes does evoke great charm and likeability. Although mute, it's probably the most appealing of Mangano's five performances, and Toto is terrific."The Sicilian"Franco Rossi directs the fourth an shortest piece, a straight-forward revenge story that comes and goes before it ever has a chance of becoming interesting. It's violent, but easily the least satisfying of the five stories."A Night Like Any Other"Eastwood's appearance is clearly the biggest attraction here, which was filmed in between the Sergio Leone "Dollars" trilogy. It's an enjoyable departure from his normal roles, playing a comedic romantic lead, and he is affably fun to watch. Famed Italian director, Vittorio de Sica (The Bicycle Thief, Umberto D.) does a masterful job with the story, which perfectly blends the mundane and the fantasy in a visually satisfying way. The story is about a bored housewife (Mangano, of course), who tries in vain to get her husband to realize that he is not as romantic as he used to be. The scene is interspersed with comedic romance sequences revolving around the couple's past romantic interludes, and dreams of how their lives should be.
