抗疫斗争惊险万分,日本2020年海京因疫情封城,日本深呼吸康复机构老板程阳肾移植术后持续低烧,但仍为了查清捐赠口罩过期一事奔忙,潜入了药店老板范总的家中。范总家保姆马飞燕身为密接人员却从医院逃离,主治医师陈扬为找回她也来到范总家中,却扑了空。因发烧被误认为新冠患者的程阳经历了种种惊险的时刻,误打误撞中揭开了范总售卖过期口罩背后的罪行,并与前女友陈扬重逢。最终这场因疫情和人性纠葛而起的闹剧该如何收场?
抗疫斗争惊险万分,日本2020年海京因疫情封城,日本深呼吸康复机构老板程阳肾移植术后持续低烧,但仍为了查清捐赠口罩过期一事奔忙,潜入了药店老板范总的家中。范总家保姆马飞燕身为密接人员却从医院逃离,主治医师陈扬为找回她也来到范总家中,却扑了空。因发烧被误认为新冠患者的程阳经历了种种惊险的时刻,误打误撞中揭开了范总售卖过期口罩背后的罪行,并与前女友陈扬重逢。最终这场因疫情和人性纠葛而起的闹剧该如何收场?
回复 :The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
回复 :《灵魂的救赎》讲述一个在地震中失去孩子的家庭如何接受现实,重新振作的故事。电影刻画了两对中年夫妇,一对是在地震中失去独生子的打工者夫妇,另一对则是各自忙于工作对儿子缺乏关爱和照顾的精英夫妇,他们分别陷入“无法面对失去”和“不懂得珍惜所有”的精神困境。
回复 :本片的主角艾尔伍德是个中年男人,同时也是个酒鬼。然而他常常臆想出来他有个好朋友——一只六英尺高的兔子。艾尔伍德向他的姐姐和侄女介绍这只名叫哈维的兔子。大家都认为他的神经有问题。他的姐姐忍无可忍,想把他送进疯人院。