该影片以辽宁省营口市老边区刑释解教人员焦基发的事迹为原型,午夜反映了刑释解教人员出狱后不被社会理解,午夜处处受到歧视,最终在政法委书记和社区主任等社会各界的关怀下,自强不息、重塑人生、艰苦创业的真实感人故事。
该影片以辽宁省营口市老边区刑释解教人员焦基发的事迹为原型,午夜反映了刑释解教人员出狱后不被社会理解,午夜处处受到歧视,最终在政法委书记和社区主任等社会各界的关怀下,自强不息、重塑人生、艰苦创业的真实感人故事。
回复 :Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.Roger Philip Mellor
回复 :东勋(强仁 饰)性格内向沉默寡言,再熙(朴世荣 饰)个性大大咧咧,活泼开朗。这样一对性格截然相反的男女,邂逅在两人共同的朋友所举办的婚宴之中,仿佛吸铁石的两极,彼此相互吸引的他们很快就坠入了爱河,开始了甜蜜的同居生活。他们领养了一只可爱的小猫,取名小云朵,这只乖巧可爱的小猫替他们的感情生活增添了一抹亮丽的色彩。然而,东勋和再熙之间梦幻般的爱情始终敌不过现实,最终他们选择了分道扬镳。然而,两人怎么也没有想到的是,使他们再次见面的缘由,竟然是举办小云朵的葬礼。因为这葬礼,东勋和再熙要独处整整两天一夜,在这两天一夜里,会发生怎样的故事呢?
回复 :该片讲述的是挑剔又古怪的老奶奶“金粉”(罗文姬饰)和大学生“志雄”(崔佑成饰)一起租一个房间开始后发生的故事。该片是通过第一届长篇商业电影制作公募展选定的十部作品之一,另外的作品也将陆续投入制作。