”靖难之役“之后，久久精品燕王朱棣篡权夺位成功，久久精品建文帝生死未卜，而建文帝之子朱文奎被旧部杨武救出，并几经辗转朱文奎被文昌寺收留。十年之后，朱文奎在文昌早寺已长成英俊少年，并练成了一身硬功夫，从小聪慧的他更熟读经卷，通晓佛法，深得曾任少林寺住持的大师器重。杨重一直在计划为建文夺回帝位，假意归顺燕王，暗中招兵买马，召集建文帝旧部起事。然后打算把朱文奎从文昌寺带回京城，却被燕王获悉，并下令东石剿杀他们。一路上杨武等人受到一批又一批的东石高手追杀，最后不得不把小皇子送上大佛填充暂避追杀。东厂倾巢而出把大佛寺重重包围，杨武和大佛寺内十八棍僧与锦衣卫展开殊死搏斗……
柳成奎
回复 :生活在天宫的仙女七妹向往凡间的生活，一夜她偷驾祥云下凡到了香港，人生路不熟的仙女差点上了不法分子的当，幸得董自立所救。董原为孤儿院主持人，因经济拮据，被迫将院址押给许财发；期限到的时候；又被勒令搬家。另一方面，七妹屡次施法助董，却被指是鬼魂，生活在天宫的仙女七妹向往凡间的生活，一夜她偷驾祥云下凡到了香港，人生路不熟的仙女差点上了不法分子的当，幸得董自立所救。董原为孤儿院主持人，因经济拮据，被迫将院址押给许财发；期限到的时候；又被勒令搬家。另一方面，七妹屡次施法助董，却被指是鬼魂生活在天宫的仙女七妹向往凡间的生活，一夜她偷驾祥云下凡到了香港，人生路不熟的仙女差点上了不法分子的当，幸得董自立所救。董原为孤儿院主持人，因经济拮据，被迫将院址押给许财发；期限到的时候；又被勒令搬家。另一方面，七妹屡次施法助董，却被指是鬼魂……
手岛葵
回复 :自从五年前妻子（坂井真纪 饰）死于交通肇事逃逸事故后，某小型铁厂厂长中村健一（堺雅人 饰）一直沉浸在丧妻之痛中无法自拔。在过去的岁月里，妻子最后的电话留言和生前的遗物引起他无限的追思，也阻断这名颓败悲伤的男人向新生活迈进。与之相对，当年的肇事者木岛宏（山田孝之 饰）完成两年刑期后出狱，却似乎没有任何反省的意识。他粗暴殴打疑似宣传其过去的同僚星叔（田口智朗 饰），强迫好友小林（绫野刚 饰）和他干着各种恶德之事。直到某天，中岛开始一封封收到刺杀他的通告，对方宣称将与之同归于尽。狂风暴雨之夜，两个男人的决断在所难免……本片由著名剧作家赤堀雅秋根据自己的同名戏剧改编。
郑在娟
回复 :Magdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence. Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles. Magdalena lives with her adopted parents and works in an art gallery. The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion.Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch. Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date. The director certainly wastes no time in alienating his audience; from the first ten minutes of the film it is clear this is not going to be an easy ride. The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled. Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert. The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.
