剧情简介
节目由音乐合伙人寻找音乐中的另一半，亚洲每期六组飞行合伙人两两成组合作演唱，亚洲一人和常驻音乐人合作共同演绎一首金曲，进行“推荐金曲争夺战”。
亚洲中文精品高清
节目由音乐合伙人寻找音乐中的另一半，亚洲每期六组飞行合伙人两两成组合作演唱，亚洲一人和常驻音乐人合作共同演绎一首金曲，进行“推荐金曲争夺战”。
ʯͷ
回复 :升上高中2年级的香澄一行人，她们的乐团“Poppin'Party”因为忙着学生会、帮忙家里的店、补习班以及打工，5人能聚在一起的时间变少，也一直没办法在乐团的基地“仓库”集合。这时，有1位少女出现在她们的身边——崭新的邂逅，永恒不变的羁绊。Afterglow、PastelPalettes、Roselia、Hello，Happy World！也将会登场，个性丰富的乐团成员们，将用闪耀又令人怦然心动的舞台吸引你！“我想…和大家再一次举办演唱会”音乐（梦想）现在即将向前奔驰！byyakubd.cc
蓝雨
回复 :平凡而稍有些内向的女高中生·圣川诗杏，在和平常一样玩着音乐游戏《SHOW BY ROCK!!》的时候，被吸入了游戏的世界，并以游戏中的女子乐队“Plasmagica”成员希安的身份乐队出道。在感到困惑的同时，她也在通过音乐而成长着。
四方果
回复 :"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
