霸道A group of social media experts are hired to help an old family business to strive, by creating compelling stories about an old witch myth. But they soon find themselves stuck on a tiny island in a lake in which the ancient Swedish witch is said to live.
王美莲
回复 :Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
曾沛慈
回复 :罗宾（伊万·麦克格雷格 Ewan McGregor 饰）曾经也是一个拥有着很多奇异朋友的天真无邪的小男孩，但如今，已经长大成人的他在旅行箱公司上班，在挖空了心思完成上司布置的任务外，他还得想方设法的挤出时间来陪伴妻子伊芙琳（海莉·阿特维尔 Hayley Atwell 饰）和女儿玛德琳（勃朗特·卡迈克尔 Bronte Carmichael 饰）。罗宾非常爱自己的家人们，但这样的生活难免让他感到有一丝丝的窒息。一天，罗宾童年时候的玩伴小熊维尼（吉姆·库宁斯 Jim Cummings 配音）忽然再度出现在了他的眼前，并且请求他帮自己一个忙。很显然，维尼依然将罗宾当成是以前那个单纯的男孩，这让罗宾感到有些无所适从。
林忆莲
回复 :何非（朱一龙 饰）的妻子李木子在结婚周年旅行中离奇消失，在何非苦寻无果之时妻子（文咏珊 饰）再次现身，何非却坚持眼前的陌生女人并非妻子，妻子拿出了身份证明进行自证，夫妻二人似乎都有不可告人的秘密，随着金牌律师陈麦介入到这起离奇案件中，更多的谜团慢慢浮现……本片改编自苏联电影《为单身汉设下的陷阱 Ловушка для одинокого мужчины》。
