“导演"这两字是许多电影人追求的名衔,欧美对于住在威斯康辛一处无名小镇的马克布察特而言,欧美更是他一生最大的梦想。本片是由克里斯史密斯执导,记录马克为完成导演梦,出动全家大小、亲朋好友充当演员,加上他的信用卡和比尔叔叔借他的3000元,意图完成一部恐怖短片; 片中忠实记录马克对拍片的坚持和他个人的一些问题--包括酗酒、赌博和家庭失和等--观众可从中认识马克周遭的人物:亲爱的老妈、高龄八十二岁的叔叔和马克的一干演员朋友。这是一部关于一个人的野心、沈迷、和他追求个人理想的“美国梦"的忠实纪录片。
“导演"这两字是许多电影人追求的名衔,欧美对于住在威斯康辛一处无名小镇的马克布察特而言,欧美更是他一生最大的梦想。本片是由克里斯史密斯执导,记录马克为完成导演梦,出动全家大小、亲朋好友充当演员,加上他的信用卡和比尔叔叔借他的3000元,意图完成一部恐怖短片; 片中忠实记录马克对拍片的坚持和他个人的一些问题--包括酗酒、赌博和家庭失和等--观众可从中认识马克周遭的人物:亲爱的老妈、高龄八十二岁的叔叔和马克的一干演员朋友。这是一部关于一个人的野心、沈迷、和他追求个人理想的“美国梦"的忠实纪录片。
回复 :书生陈仲躬(石隽 饰)的母亲身患重病卧床不起,为使母亲康复,仲躬向上天许下宏愿,母亲因此而恢复了健康。之后,为了还愿,仲躬来到终南山向高僧讨取残经,在一处荒废的庭院之中潜心抄写。入夜,庭院里传来袅袅琴声,一位名为素素(林青霞 饰)女鬼出现在了仲躬的面前。原来,素素死后遭到了恶鬼胁迫,被迫替恶鬼卖命,而仲躬正是她此次的“猎物”,可是仲躬生性平和善良,素素几次尝试都不忍心下手。之后,仲躬在古井之中找到一面古镜,这正是素素生前所有。素素自知自己和仲躬人鬼殊途注定无法在一起,与此同时,厉鬼亦对仲躬产生了兴趣,要将他害死。
回复 :该片讲述了民国年间,坊间相传芜镇有恶鬼专吃少女,警探谭辉认定此事并非鬼怪,乃是人为。他一路小心翼翼的搜集证据,发现民国少女惨遭囚禁的秘密,却没想到其背后竟掩藏着一个巨大的惊天阴谋...
回复 :A most pleasingly atmospheric rendition of the tale, noirishly photographed and moodily set, this is the version which probably would have delighted Conan Doyle the most. There is one important plot change which enables the beautiful Alice Brandt to enjoy both a larger role and a more intriguing part in the proceedings. This change also builds up the parts of Dr Mortimer and Lord Charles, yet at the same time provides a nice introduction to the is-he-sinister or is-he-a-good-guy Barrymore, deftly played here by Fritz Rasp.Despite the sting of its well-developed story, the spellbindingly atmospheric direction and the engrossing performances delivered by the entire cast, many fans may find this version somewhat disappointing. For at least three reasons: As in the novel, the part played in the narrative by Sherlock Holmes, though vital, is minimal. And in this version, not only has no attempt been made to enlarge his role, if anything both writer and director do their best to minimize it. Holmes does not even make his entrance for half-an-hour, and when he does finally appear, he has his back to the camera. It is Fritz Odemar, as Dr Watson, who receives the more favorable camera angles. And there is a purpose in this. It is Watson, not Holmes, who figures as the main protagonist of The Hound of the Baskervilles. For the bulk of the narrative, Holmes disappears. It is Watson and Lord Henry (Peter Voss) who take up the running. The movie is almost over, before Holmes closes in on the villain. And even so, this is not the obsessed, self-important Holmes we are accustomed to see taking charge. Another problem is that the title hound itself does not figure a great deal in the action, a downgrading which will undoubtedly rate as another major disappointment for fans. And finally, it could be argued that the script gives too much attention to Conan Doyle's red herring, the escaped convict, and not enough to the real villain.This said, it must surely be admitted by all, that Odemar's interpretation of Watson—intelligent, charming, level-headed, courageous and resourceful—is much closer to Conan Doyle's conception than either the bungling, inveterately stupid Nigel Bruce or the self-effacing Ian Fleming.One other player deserves special mention: Erich Ponto (Dr Winkel in The Third Man) who seems exactly right for Stapleton. A difficult part, superbly played.- JohnHowardReid, imdb