廖大森
发表于2分钟前
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:比利(丹尼斯·霍珀 Dennis Hopper 饰)和怀特(彼得·方达 Peter Fonda 饰)用一次毒品交易的钱骑着他们的机车上路了,他们的目的地,是新奥尔良的狂欢节。在路上,他们经过了离群索居的波西米亚人群落,短暂逗留的数天里目睹了他们自由放浪但也贫穷困苦的生活。在德克萨斯州,他们仅因为行为举止诡异就被警察关进了监狱,在那里,他们遇见了律师汉森(杰克·尼科尔森 Jack Nicholson 饰),汉森帮助他们逃离了牢狱之灾,他们怂恿汉森同他们一起上路。抵挡不住内心的骚动,汉森同意了。三人来到一个保守的小镇,在那里受尽了居民的白眼。不受欢迎的三人只得露宿荒野,夜里,当地的居民乔装袭击了他们,汉森被打死。比利和怀特虽然震惊,但这一切都没能阻止他们前进的脚步。到达目的地的两人并没有感到喜悦,有的只是无尽的空虚,沮丧的两人打道回府,但令人意外的是,一个卡车司机和他的双杆猎枪使得他们的行程截然而止。这是影史上最伟大的公路电影,也是为数众多的公路电影的鼻祖。
倪睿思
发表于7分钟前
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:"The Witch Burnt Alive"After a very long, but visually arresting animated opening credits sequence, Luchino Visconti (Death in Venice) directs the first story, which is the longest of the five, taking approximately a third of the film's running length. Mangano plays a superstar actress and model who travels to a mountain resort, only to find the well-to-do inhabitants have prejudices and preconceived notions about her based on her public persona. The women are all jealous and the men all want to sleep with her, but all Mangano wants is to be left alone. It's a mostly somber satirical piece, but story-wise, it languishes in its modest idea a bit long, becoming inconsequential to all but those fascinated by the realities of being famous."Community Spirit"Bolognini's piece isn't really a story. It's more of a visual gag, in a short segment that features Mangano offering to take an injured man to a hospital, driving him at breakneck speed throughout the city, but not stopping at locations where he might find aid. I won't give away the punchline here, but it succeeds in being amusing, even if it's the kind of thing that only is interesting the first time through."The Earth Seen from the Moon"The esteemed writer/director, Pier Paolo Pasolini (Salo), crafts the middle segment, which is the most artistic and memorable of the five. Reminiscent in style to "Don Quixote", a recently widowed father and his son travel around the country in search of a new wife and mother, and after a long period, they discover the literally speechless Mangano. She brings joy into their lives, but they are poor, and in order to find a better life for themselves, they concoct a scheme to try to make some quick cash. The story is contrived, and not completely interesting, but the outlandish performances, artwork, and costumes does evoke great charm and likeability. Although mute, it's probably the most appealing of Mangano's five performances, and Toto is terrific."The Sicilian"Franco Rossi directs the fourth an shortest piece, a straight-forward revenge story that comes and goes before it ever has a chance of becoming interesting. It's violent, but easily the least satisfying of the five stories."A Night Like Any Other"Eastwood's appearance is clearly the biggest attraction here, which was filmed in between the Sergio Leone "Dollars" trilogy. It's an enjoyable departure from his normal roles, playing a comedic romantic lead, and he is affably fun to watch. Famed Italian director, Vittorio de Sica (The Bicycle Thief, Umberto D.) does a masterful job with the story, which perfectly blends the mundane and the fantasy in a visually satisfying way. The story is about a bored housewife (Mangano, of course), who tries in vain to get her husband to realize that he is not as romantic as he used to be. The scene is interspersed with comedic romance sequences revolving around the couple's past romantic interludes, and dreams of how their lives should be.