帮派分子乐文华（任达华 饰）与大哥陆乘风（于荣光 饰）纵横香港，国产高潮风头正盛。是日，国产高潮陆、乐二人于码头接货，不想被警察团团包围。乐文华亮明卧底身份要求陆乘风投降，后者却冲入大海不知死所……一年后，经历了复职、受伤、升职的乐文华已经习惯了警队生活，然而却在一次抓捕中偶遇了陆乘风的情人蓉蓉（钟丽缇 饰），出于对蓉蓉的愧疚和同情，乐文华答应随时陪在她左右，这使得他与女友的关系出现裂痕。而大难不死的陆乘风此时又突然出现，请求乐文华帮自己最后一个忙，以讨回应得安度余生。乐文华一念之差卷入了陆乘风的犯罪计划，在陆乘风的复仇与警方的抓捕中苦苦挣扎……
珍梦海
回复 :才华横溢的诸葛小千自打从牛A大学毕业并扎根在牛C城市后，终于找到了属于自己的牛B地位。但在经历了诸多事业与感情上的打击后，心灰意冷企图吃安眠药自杀，待他从医院苏醒后发现自己能够看到每个人的剩余生命值，还遇到一个只有他才能看见，并声称是死神的女孩，而且竟长得和自己暗恋的女神白苏苏一模一样，给小千本来麻烦的生活变得更加混乱。
郎朗
回复 :《你追我赶》是一部围绕一对民工讨债过程中的种种遭遇而展开的爆笑故事片。
付佳明
回复 :In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.
