追逐繁星的孩子国语
地区:欧美
  类型:动画
  时间:2025-02-03 10:30:34
剧情简介

追逐国Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.

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Фң

发表于9分钟前

回复 :杰夫(杰森·席格尔JasonSegel饰)是个整天无所事事的宅男,被母亲莎伦(苏珊·萨兰登SusanSarandon饰)呼来喝去嫌他办事不力,他的哥哥帕特(艾德·赫尔姆斯EdHelms饰)倒是事业不错还结婚了,但与妻子琳达(朱迪·格雷尔JudyGreer饰)也在闹婚姻危机。一日杰夫接到一个打错的电话,又在公交车上遇见个高中生,球衣背后名字恰好印着打电话人要找的那个名字,一向着迷电影《天兆》的杰夫认为这是一个启示,跟着高中生下车的他遭遇抢劫,无奈游荡在大街上偶遇哥哥帕特,两人又莫名遇见和另一个男人单独吃饭的琳达,帕特拉着杰夫去追查琳达“外遇”的真相,混乱的一天随着杰夫的“启示”而展开……


火风

发表于2分钟前

回复 :丁娟去见男友李良,却发现李良死在屋里。东海市公安局发现伤口有细小的羽毛和茶杯上的指纹,以及笔记本上的字“阿三,我决不放过妮!”等细节。经调查,两个阿三斗与李良有过节,且案发晚上都去过李良家。老陈在林区查案的路上遭袭击后,侦察员钱凯、陈明辉发现这不是一般的刑事案,背景很复杂。老陈逐步查清案子,他的处境也更加危险。最后,老陈终于把真正的凶手汽车司机刘国强缉拿归案,并挖出了策划谋杀的后台——公安局长徐亦斌。


黄名伟

发表于1分钟前

回复 :酒吧保安道格·格拉特(西恩·威廉·斯科特 Seann William Scott 饰)体格强壮,行事略有呆气,在一次观看冰球比赛时将不满观众嘘声的球员痛揍,他的壮举经好友拍摄公布后引起大众注意,阴差阳错加入当地一支冰球队从头学起,充当队中暴徒角色。一场场血战为道格赢来了知名度,在教练的请托和引荐下,道格进入职业小联盟的刺客队,刺客队中有因为受伤而产生心理阴影的昔日王牌球员泽维尔,而道格的任务,即是保证泽维尔等队友在场上的安全。道格在比赛之外结识了热爱冰球的姑娘伊娃(艾丽森·皮尔 Alison Pill 饰),他向姑娘笨拙的表达着自己的爱慕。另一方面,王牌冰场打手罗斯在前方等待着道格的挑战……


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