剧情简介
这是一部温情治愈系公路电影。讲述关系疏远、午夜有隔阂的父女通过一场意外之旅，午夜一同成长并修补关系的故事。影片聚焦社会普遍存在的亲子关系问题，让那些在原生家庭中受情感创伤的“孩子们”尝试与过去和解，使那些心存愧疚与遗憾的“父亲们”得到心灵的抚慰，恰如影片中的这对“问题父女”，他们在“笑中有泪”“意外频出”的旅途中，重拾信任，彼此治愈。
午夜福利v片
这是一部温情治愈系公路电影。讲述关系疏远、午夜有隔阂的父女通过一场意外之旅，午夜一同成长并修补关系的故事。影片聚焦社会普遍存在的亲子关系问题，让那些在原生家庭中受情感创伤的“孩子们”尝试与过去和解，使那些心存愧疚与遗憾的“父亲们”得到心灵的抚慰，恰如影片中的这对“问题父女”，他们在“笑中有泪”“意外频出”的旅途中，重拾信任，彼此治愈。
高阳
回复 :警察Allison和女儿Taylor晚上一起开车去发生交通事故的现场，结果被告知丈夫和另外一辆车的车主当场死亡。Allison悲痛万分，唯一的希望是和女儿可以共同渡过难关。Taylor在学校和好朋友闹翻，一直处于僵持阶段。随后一个莫名奇妙的手机短信让母女二人陷入一系列麻烦中，Allison要查清楚真相，而突然出现在女儿身边的年轻人Cody又有什么样的秘密呢？
大门乐队
回复 :剧情承接上集，话说三少爷历尽千辛万苦终于从梦魇中解脱，并且告别了缠身多日的牢笼。三少爷对于久违了的香车美女烈酒舞池早已经不能自已，这种重获新生的感觉再次激发了他从前的放任不羁还有对于死亡恐惧的宣泄。回到家中他立刻找来了生前一起纸醉金迷的狐朋狗友，又厮混在一起。可就在他大肆庆祝之际梦魇再度现身。而且这次来者不善，那么三少爷明明重新获得了新生，以前折磨三少爷的冤家债主原本与其相安无事即可，却为何再度杀到？原来，由于三少爷未按约定在收集真爱之泪的同时找出毒害自己的真凶，没能按照约定完成任务，害对方在手下失了面子，于是乎大为光火；与此同时冤家此行还有一个目的，作为惩罚，他会在七日后再次带三少爷回到此前的梦魇牢笼，也就是说三少爷的“重生”即将无效！他历尽千辛万苦回到的新生活也只即将化为泡影。得知这个消息后三少爷备受打击，虽然意兴阑珊可也毫无选择，只能快速结束了...
黄大炜
回复 :“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today. The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster. As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself. “Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.
