鬼怪
鬼怪
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回复 :37岁的大学老师郝回归,因为人生和工作都不如意,在梦里回到了自己的17岁,遇见了曾经的自己。在梦里,他和曾经的自己、曾经的伙伴们一起经历了一段难忘的时光。在这个梦当中,他想去改变曾经的自己,去弥补遗憾,去重过一遍自己的人生,没想到却被自己的小伙伴改变了。从梦里醒来,他决定要改变自己的人生。
回复 :James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?