剧情简介
在狂野西部的一个马车站里，人心一个名叫'上校'的人的突然访问将改变他们的和平生活
人心叵测
在狂野西部的一个马车站里，人心一个名叫'上校'的人的突然访问将改变他们的和平生活
勤琴
回复 :卡车司机布鲁斯特从他失踪的哥哥身上接手了一项工作，那就是把一车的棺材送到一个办葬礼的人家里。在路上他让一对同性恋青龙城凯瑞和沃格搭便车，不过这对情侣此时正在闹变扭，所以布鲁斯特开车开得特别小心。可是在汽车导航仪的指引下，布鲁斯特的车开到了一个荒郊野岭，并且车也抛锚了，他们三个被困住了。夜幕开始降临，车上的棺材里似乎有吸血鬼开始嗜血暴动，他们三个必须躲在车里并且要在天亮之前想办法活下来……
马念先
回复 :Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007Author: TimothyFarrell from Worcester, MA"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)-from imdb
粉娱三宝
回复 :A team of climbers set out to find Irvine and his climbing partner George Mallory camera. If that camera could be found, it would rewrite history.
