剧情简介
电影讲述从屋顶掉落的被霸凌的高中生和精英黑社会成员身体互换而发生的故事，日产朴成雄将饰演黑社会成员。
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电影讲述从屋顶掉落的被霸凌的高中生和精英黑社会成员身体互换而发生的故事，日产朴成雄将饰演黑社会成员。
林仙洲
回复 :
克里斯泰尔盖尔
回复 :娜丽达（艾西瓦娅·雷 Aishwarya Rai Bachchan 饰）出生在一个传统的印度家庭之中，她有三个姐妹，都到了嫁人的年龄，为了将女儿们嫁进好人家，白先生（阿努潘·凯尔 Anupam Kher 饰）和白太太（Nadira Babbar 饰）可谓是费了不少的周章。然而，聪慧机敏的娜丽达却并不愿意接受父母安排的姻缘，她相信，只有她自己才能决定，谁才是真正适合她的男人，父亲和母亲将娜丽达的举动视为叛逆，深感头痛。一次偶然中，娜丽达结识了名为达西（马丁·亨德森 Martin Henderson 饰）的富翁，起初，两人都看对方很不顺眼，处处挑刺找茬，关系十分紧张。然而，随着时间的推移，达西渐渐发现娜丽达并不是那种脑袋里空空的绣花枕头，而娜丽达亦发现了达西善良真挚的一面，爱情的火苗暗自滋长。
酷玩乐队
回复 :Marg Duffield (Lee Remick) is the Maine wife of Al (Joseph Sommer) whose daughter Peg (Marlee Matlin) is deaf. Peg's husband is killed in a car accident on the way to visit the Maine house, and the Duffield's take in Peg's six year old daughter, Lisa, while Peg recovers. Since Lisa is a speaking child, Marg thinks of her the way she wanted Peg to be, and seeks guardian custody.Remick's role is secondary to Matlin's, though she is presented as a tragic figure, particularly as Al refuses to help her plan to gain Lisa. Peg's deafness is said to be from a childhood case of spinal meningitis, and the teleplay by Louisa Burns-Bisogno, with story by Louisa and Tom Bisogno, reduces Remick to a textbook mother who is self-hating from guilt and therefore cannot love her own daughter. In a memorable scene, Peg angrily signs her exit to Marg, since Marg has refused to learn sign language, though Peg has learned to speak for her mother.The treatment uses the Tennesee Williams play, The Glass Menagerie, for therapy, to help Peg overcome her grief and also Marg `lose her unicorn horn' and embrace her daughter. Whilst Peg choosing to act in this play may seem an odd choice for someone grieving, what is more noticable is that Matlin is far too more glamourous to be believable as Laura. The Bisogno's include Michael O'Keefe as Dan, Peg's deceased husband's best friend and director of Actors Theatre for the Deaf, to offer Peg a new romantic interest, and thankfully she rebukes his protestations of love. Although his opinion may be influenced by his `crush', Dan tells Peg that being different is better than being normal, since the normal ones are as `common as weeds'. This philosophy reads as rather Nietzschean, on the level of artists not being restricted to the common moral code.Director Karen Arthur either has those signing also speaking or those signing being translated for the audience, though in one scene the sound of lapping waves drowns out the dialogue between Dan and Peg. She also gives Matlin some good moments, one being her scream of horror when she hears the news of the death of her husband, and another when she chases Remick down a flight of steps, hitting her.
