深层Journalism icon Gay Talese reports on Gerald Foos, the Colorado motel who allegedly secretly watched his guests with the aid of specially designed ceiling vents, peering down from an observation platform he built in the motel's attic.
李贤宇
回复 :狂野西部，臭名昭著的葛雷洛·迪拉库兹（丹尼·特乔 Danny Trejo 饰）率领心狠手辣的黑水帮劫持法场，救出了险些被处以绞刑的同母异父弟弟红龙卡文纳（迈克尔·C·豪尔 Michael C. Hall 饰）。事后卡文纳怂恿有意金盆洗手的老哥，前往位于科罗拉多的伊甸谷抢劫藏在银行金库中的金子。黑水帮在小镇大开杀戒，谁知关键时刻葛雷洛遭到卡文纳背叛，被手下们乱枪打死。葛雷洛死后堕入地狱，见到了经常在梦中困扰他的魔鬼路西法（米基·洛克 Mickey Rourke 饰）。他与魔鬼交易，承诺将在24小时内带来六个人成为路西法的牺牲。在此之后，葛雷洛从沉睡了一年之久的墓穴中苏醒，乘着地狱怒火血洗已经更名墓碑镇的暴徒乐园伊甸谷……
张桑悦
回复 :本剧改编自同名小说，讲述了察时和雄马在录制节目时，遇到了资产家被刺杀的事件，他们想亲自追凶但无果，现场无凶器且三嫌皆有不在场证明，因此无奈之下，只能请求时乃瞒天过海毁灭证据。随之，雄马想要和时乃真心交往且邀她合作，而时乃的初恋成新案嫌疑人，雄马嫉妒心爆发，展开了公私兼顾的调查...
阿强
回复 :The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years.At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with.But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood.I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential.by D.R. SHIMON@lounge.moviecodec.com
