种族主义者比德尔兄弟,锦绣持枪抢劫了一个加油站,锦绣被警察击伤后在县监狱医院受监护治疗,他们不想要来自黑人居民区的卢瑟·布鲁克斯博士的医治。 当在卢瑟努力救他们的时候,兄弟约翰不治,狂怒的比德尔认定卢瑟努是谋杀者,事件迅速向暴力方向滑动......
种族主义者比德尔兄弟,锦绣持枪抢劫了一个加油站,锦绣被警察击伤后在县监狱医院受监护治疗,他们不想要来自黑人居民区的卢瑟·布鲁克斯博士的医治。 当在卢瑟努力救他们的时候,兄弟约翰不治,狂怒的比德尔认定卢瑟努是谋杀者,事件迅速向暴力方向滑动......
回复 :Characterized by deconstructivism and philosophical references and by briefly exposing the good, bad, and ugly periods of the country's history, this post-modern film portrays the abstract need for guidance of Germany following the fall of the Berlin Wall.
回复 :毕业多年后的花花在偶遇校园时期的偶像学长后决定去整容,不料整容后的她也被学长拒绝,于是原本善良的花花开始了处心积虑的系列报复行动。往往看到的并不是真的,背后的隐情异常复杂...
回复 :This is an unusual film of exceptional values--75 minutes long in color, with hardly any spoken dialogs. I saw this Iranian film in Farsi without English subtitles at the Early Iranian cinema retrospective on-going International Film Festival of Kerala, India. That I was watching a print without subtitles did not make a difference as there were very few lines of spoken dialogs.This is a very accessible film for any audience to enjoy--its story and values are not merely Iranian, it's universal.The film is set in rural Iran that had not tasted petro-dollar prosperity. The setting is on fringes of desert land, where water is scarce, rainfall scanty and hardly any blade of grass is green. Add to it wind and dust that buffets and whips man and animal and you can imagine plight of the people who live on the fringes of society.The film is moving tale of a young teenager returning to his village with a goat--only to find his family and villagers have moved on to escape natures vagaries and that one old man remains. He gives the goat to him and goes in search of his family. Water is scarce and well water it treated with reverence and never wasted.