彼得·杰克逊早期作品,直播之百这部纪录片以翔实的考察,直播之百细致地讲述了一段不为人知的电影史传奇,展现了一位默默无闻的新西兰人在20世纪初期为电影作出的革命性贡献。
彼得·杰克逊早期作品,直播之百这部纪录片以翔实的考察,直播之百细致地讲述了一段不为人知的电影史传奇,展现了一位默默无闻的新西兰人在20世纪初期为电影作出的革命性贡献。
回复 :痛失至亲后,一家人搬到了城里,30年后,大家在故乡重聚,而埋藏的感情和痛苦的秘密也重新浮现
回复 :Amiko isn’t like other children. Her endless energy and curious eccentricities make her an outcast at school and get her in trouble at home. When a painful family loss disrupts her seemingly idyllic seaside life, her sense of isolation intensifies, yet it doesn’t stop Amiko from inviting people into her world.Morii Yusuke’s directorial debut is a confident and compassionate story about a child’s imagination. The film balances sorrow with joy and harsh lessons with naive delight – much like growing up. Crucially, Amiko never forgets who is at the centre of the story. The wry humour and detailed compositions of small-town Japan, as well as the film’s hopeful tenor, are reminiscent of Ogigami Naoko or Hirokazu Kore-eda’s works. The gentle and languorous atmosphere is enriched by a score from upcoming folk star Ichiko Aoba.Kana Osawa delivers an exquisite, force-of-nature performance as young Amiko. Effortlessly natural, her commanding presence and vitality carry great weight whilst ensuring the film never falls into despair. Amiko’s unbeaten spirit in the face of tired adults and uncooperative classmates lets us go through the pain, as well as experience flashes of mischievous whimsy, alongside a spiriting musical sequence that will ensure you’ll never listen to a conga drum the same way.
回复 :特伦斯·戴维斯典雅的艺术杰作,一部能体现出鲜明的英国风格的影片。剧情围绕在二战结束后不久,一个利物浦的工人阶级家庭的一桩婚事展开,并由一位有时而显得残酷的父亲穿插于各种情节中。这部电影的魅力由那些具有深刻艺术性的镜头构成,并结合了导演本身和演员对角色的把握,特别是精彩地演绎了父亲这一角色的皮特·波斯尔思韦特。