野外In this modern creature feature, a scary internet meme called "Grimcutty" stirs up panic amongst all the parents in town, convinced it's making their kids harm themselves and others. When a real-life version of Grimcutty starts attacking teen Asha Chaudry, her parents believe that she's cutting herself as part of a challenge. With her phone taken away and no one who believes her, Asha has to figure out how to get through to her parents and stop the Grimcutty once and for all.
尹健
回复 :石永进以卖画为生，可惜生意惨淡。无意中，石永进撞见女友薛丽丽和富二代雷天傲关系暧昧。女友背叛、父亲生病，石永进备受打击，他沮丧地回到了老家夹江。石永进的父亲石天祥生病住院，无力继续经营家族产业——大千纸坊。石天祥希望儿子石永进继承家族产业，可石永进想挣“快钱”——办画展。囊中羞涩的石永进为了尽快举办画展，答应了父亲的条件——父亲住院期间自己管理纸坊挣钱。石永进踌躇满志，可现实却给了他当头一棒，而一场意外大火更是让纸坊生意雪上加霜。一心想挣快钱的石永进决定空手套白狼举办一场国画大赛。为博眼球，国画大赛的最高奖励为国画大师张大千的名画。殊不知，好几波势力已经盯上了这幅大师名画。一群人为了一幅并不存在的大师名画，开始了一场鸡飞狗跳的争夺战……
刘芮伊
回复 :比利“垃圾”温赖特是一个简单的人。他爱他的女朋友，他喜欢他的大学橄榄球队。但是当他的女朋友离开他去参加球队的明星四分卫时，他开始摧毁他曾经爱过的男人，希望能够重新夺回他失去的生命。
苏云
回复 :In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.imdb comment
