才华横溢的郑加福（张希临 饰）凭借他所开发的赛5生物科技项目赢得了融亿达集团老总的青睐，魔盗不仅吃大笔资金支持项目的研发，魔盗还在公司内委以要职。然而郑为人急功近利，为了不断攀爬，他有意接近老总吴天诚的独生女儿吴小燕（王丽丽 饰）。经过步步为营的精心布局，心高气傲的吴小燕最终投入郑的怀抱，二人如愿走入婚姻的殿堂。在此之后，郑继续新一代产品赛6的开发，同时想尽办法掌控公司财权。他的异常举动为岳父所感知，于是吴天诚向女儿提出警告，要注意公司财物，另一方面则将赛6的项目转给其他公司。连番举措令郑对吴家父女的怨恨日益加深，在此之后，他们的豪宅内也接二连三发生诡异事件……
梅琳
回复 :It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.
陈辉权
回复 :以中国工农红军第一、二、四方面军甘肃会宁会师，长征取得伟大胜利，中国革命从挫折走向胜利的伟大转折，从此，开始了由国内革命战争向抗日民族解放战争的转变，中国革命进入了一个崭新的历史阶段为背景。再现了红军三大主力胜利会师的光辉时刻，生动塑造红军指战员在铁血征程中的英勇壮举。
李安琪
回复 :郭雷的哥哥郭震假冒郭雷，到未婚妻何婷婷家求亲，前来寻找失踪的弟弟。可是却遇上了一系列的怪事。先是何家老爷悔婚，然后是后院闹鬼。当何婷婷疯了的真相曝光后，何家的每一个人都给了郭震一个不同的解释，何家的每一个人都想要暗算郭震，郭震身在迷剧中，最终选择了离开何家。何继安私通大哥小妾，残杀兄嫂侄女，霸占家产的阴谋终于得逞。就在何继安大肆庆祝的时候，郭震突然带着装疯的何婷婷返回，每个人都在演戏。最终，恶人得到应有的惩罚。
