中文字幕Evelyn Prentice is the respected wife of a high-profile New York attorney. Despite the prestige and status she enjoys, she feels neglected and out of boredom becomes involved with an unscrupulous womanizing poet, who gives her the attention she craves. She eventually finds herself a victim of blackmail and becomes involved in his murder. When another woman is accused of the crime, she begs her husband to defend her.
孙笑一
回复 :故事发生在古希腊的雅典，赫米拉（奥利维娅·德哈维兰 Olivia de Havilland 饰）和拉山德（迪克·鲍威尔 Dick Powell 饰）深深的爱慕着彼此，可是两人的恋情却遭到了赫米拉家人的强烈反对，因为他们早已经给女儿相中了名为狄米特律斯（罗斯·亚历山大 Ross Alexander 饰）的男子作为夫婿。为此，赫米拉和拉山德决定私奔，并且逃到了一片森林之中。之后，赫米拉的好友海伦娜（琼·缪尔 Jean Muir 饰）带着狄米特律斯也来到了森林之中。森林里居住着一群调皮可爱的精灵们，此时，仙王（Hobart Cavanaugh 饰）和仙后（Verree Teasdale 饰）正在闹别扭，于是，仙王决定好好的捉弄一下误闯森林的这些男男女女们。
廖自升
回复 :当一群好友坐在一起,话题离不开女人.他们一起分享着自己曾经离奇的艳遇故事.有美丽动人的陪酒小姐...有心机沉重的跳舞女郎...有因为一时好奇而引发的人鬼之恋...也有那奇异的外星爱情.故事情节非常有趣,而且特别搞笑,大家可千万不要错过
芮恩
回复 :Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
