韩国当地时间29日下午，密桃KBS新剧《功课之神》在首尔举行了发布会。该剧改编自日本漫画，密桃时日剧《龙樱》的韩国版，讲述一群不良学生以考上最好的大学为目标而奋斗的故事，曾由阿部宽饰演的热血班主任在韩国换成了喜剧明星金秀路。发布会现场，扮演老师的裴斗娜和吴允儿秀出火辣身段，学生阵容由《爱，回家》的俞承浩、《怪物》的高雅星、《善德女王》的李贤宇、tiara组合“小金泰熙”池妍等一班颇具偶像潜质的少女少女组成。原作人气加上强大阵容令《功课之神》成为2010年度第一部备受期待的韩剧，将于1月5日开始播出。
黄俊源
回复 :这部昔日的CBS旗舰剧集已经失去了一个好汉（Charlie Sheen被开除，Charlie Harper也随之死亡），现在又将失去半个好汉——因为种种原因（如果你相信CBS官方所说的「他要读大学」那你就太天真了），Angus T. Jones不再是该剧的常规演员，他的名字也将从片头字幕中彻底抹除。
野仔
回复 :该剧讲述了一个虚构电视台“亚特兰蒂斯有线新闻台”（简称：ACN）台前幕后的故事。Will McAvoy（杰夫·丹尼尔斯 Jeff Daniels 饰）是一位资深新闻节目主持人，为ACN电视网八点档旗舰节目《晚间新闻》带来超高收视率，但因为飞扬跋扈、刚愎自用，引发过团队成员的不满。在他刚结束休假回到办公室后，发现他的大部分部下将要另谋他就，集体被挖角。McAvoy的老板、ACN电视网新闻部部长Charlie Skinner（萨姆·沃特森 Sam Waterston 饰）有卓越的眼光与新闻理想，知道该如何拯救一档新闻节目，眼光更是准得惊人。他不但没有放弃Will，更利用他的工作能力竭力维护这档节目中的所有人才。这一次，Will不得不带领一批全新的团队成员，重振《晚间新闻》的旗鼓......
李伟宾
回复 :The main story is set in a British Military Intelligence Office in Whitehall during 1956, where a small group of foreign affairs analysts find their quiet existence disrupted by the Suez Crisis. Ewan McGregor plays Mick Hopper, who is doing his national service as an interpreter of Russian documents. Bored with his job, Hopper spends his days creating fantasy daydreams that involve his work colleagues breaking into contemporary hit songs. Louise Germaine plays Sylvia Berry, the blonde wife of the violent Corporal Pete Berry (Douglas Henshall). Sylvia is an object of desire for Mick's fellow clerk Private Francis Francis and a middle-aged pipe-organist named Harold Atterbow (Roy Hudd). Unlike the street-wise Hopper, Francis is a clumsy Welsh intellectual whose academic career has been interrupted by his army call up. The appearance of the bookish niece of a seconded American officer enables the two conscripts to pair off with suitable partners, after initial mismatching. Some of the side themes include the influence of American rock and roll on English society, the gulf between the senior analysts, who are regular army officers, and the conscripted other ranks, the work of Russian playwright Chekhov, and the appreciation of opulent theatre pipe organs. The unusual context — a military culture transplanted into a civil service style office environment — reflects Potter's own national service during the 1950s. While this piece has the form of a romantic comedy, unlike the less conventional works of Dennis Potter's middle period, it is not without graphic sex and violence, as well as Potter's characteristic flashes of dreamlike imagery. The centrepiece of this production is the surreal musical sequence set to the song In a Persian Market.
