詹雪琳
发表于1分钟前
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:电影以“五彩呼伦贝尔合唱团”为背景,描写现代都市富有的一对母女来到大草原,遇到蒙古族老奶奶,整个的人生观因此改变的故事。尚于(杨采妮 饰),某外企经理。深信经济发达,是幸福奔向的唯一途径。初次婚姻失败,但习于以强悍为容的她,在他人面前极少流露柔情。面对金融海啸,她被委 派到呼伦贝尔,以考察为名,不择手段,也要找到合理原因,取消欠商业价值的文化项目。在这荒芜之乡,她吹毛求疵的性格令她痛苦不 堪,但女儿丁雨泽(林妙可 饰)从小朋友身上找回自已,发现了她的天堂,也与蒙古老奶奶红婆婆(刘晓庆 饰)建立了感情。母亲渐渐发觉自已多不了解女儿,却无意间听到小泽的歌声。在歌声里,听到截然不同的另一个小泽的形象:勇敢、奔放、快乐、自信。这天,小泽为救小羊而迷路,风雨交加,她躲在山岩下。红婆婆返回寻找小泽。在互相对唱的歌声里,红婆婆终于找到了已浑身湿透的小泽。尚于见红婆婆搂着发烧门小泽轻声吟唱着,被红婆婆和孩子们纯朴的歌声打动,在音乐中,她看清前面的人生道路,和自己的缺点,找回了自己久失的那份本真与快乐……
松田树利亚
发表于3分钟前
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:Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.