十年前,国泰小妹头陈小姐(露云娜饰)的父亲与一班兄弟抢得五百万巨额款项,国泰但是除了陈小姐的父亲其余兄弟都被警察逮捕送进了牢房,这笔巨款被其父藏匿eee。多年后陈小姐的父亲病逝了,这班兄弟出狱后找到了已经进入演艺圈发展的陈小姐,并且绑架了她,妄图从她口中探寻这笔巨款的下落。他们恐吓、利诱,用了很多手段但是陈小姐都说自己不知道这笔钱。他们的谈话无意间被修车行老板大煞星(乔宏饰)听到,大煞星财迷心窍,想将这笔钱据为己有,于是他帮助陈小姐逃出,并承诺陈小姐保她安全……
十年前,国泰小妹头陈小姐(露云娜饰)的父亲与一班兄弟抢得五百万巨额款项,国泰但是除了陈小姐的父亲其余兄弟都被警察逮捕送进了牢房,这笔巨款被其父藏匿eee。多年后陈小姐的父亲病逝了,这班兄弟出狱后找到了已经进入演艺圈发展的陈小姐,并且绑架了她,妄图从她口中探寻这笔巨款的下落。他们恐吓、利诱,用了很多手段但是陈小姐都说自己不知道这笔钱。他们的谈话无意间被修车行老板大煞星(乔宏饰)听到,大煞星财迷心窍,想将这笔钱据为己有,于是他帮助陈小姐逃出,并承诺陈小姐保她安全……
回复 :Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
回复 :太郎刚刚两岁,天真可爱,聪明活泼,又好动,是父母唯一的孩子。他给父母的生活增添了无穷的乐趣。父母的收人虽然不高, 但对太郎的吃穿用品和玩具等等,总是想得十分周到,决不忽视每一个细小的环节,然而孩子是无知的。他喜怒无常,时而高兴,又笑又唱,稍有不如意便啼哭,他毕竟小不懂事,不知何时要闯出祸来,给父母带来了不少忧虑和烦恼。父母白天都要上班,没人照看小太郎,父亲怕他出危险, 就在门上做了个木板栅栏,以为这样就安全了。谁知淘气的小太郎竟然弄坏栅栏闹出人命。父母无法, 只好请奶奶来看管小太郎。但是奶奶溺爱孩子的作法,又引起父母的不安和新的家庭矛盾…..孩子平常的一举一动,无不牵连着父母的心,周围孩子的一些小事,都会引起父母的紧张和联想……父母对孩子的爱和一片苦心,只有身为父母者才会感受得更深刻。
回复 :20世纪50年代僻静的家乡小镇,中年男子加德纳(马特·达蒙 饰)的妻子在家中被杀害。由此宁静的生活被打破,引发出一连串勒索、骗保、迷情事件。而对面邻居搬来了一家黑人,又因此打破了整个小镇的宁静。家庭危机和小镇危机交织在了一起……