自幼拥有阴阳眼的黄永发（张家辉 饰）时常帮人驱魔除灵，亚洲区童年的遭遇让他多年来始终和女鬼江雪（郭采洁 饰）相守度日，亚洲区双方情同母子又有如情侣。在某次和哥们儿阿聪（张继聪 饰）驱魔时，阿发遭遇了一个身形高大的恶鬼。这次驱魔的视频上传网络，引起某媒体的关注，于是女记者紫宁（蔡思贝 饰）被派来采访阿发。虽然遭到阿发的拒绝，可是紫宁还是尝试各种方法见鬼，因此着实吃了不少的苦头。在此期间，江湖上接连有法师遭到杀害，阿发觉察到这一切都与此前遇到的恶鬼有关。他尝试着解开恶鬼伤人之谜，由此将自己和身边的人置于莫大的危险之中……
李晶
回复 :The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years.At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with.But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood.I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential.by D.R. SHIMON@lounge.moviecodec.com
戴薇
回复 :某实力雄厚、背景神秘的大集团展开公开招聘，经过激烈角逐，最终有8名精英男女入围最终测试。他们被带入一间近乎全封闭的房间，在测试期间只有三条规则：1）禁止与考官和警卫交谈；2）禁止污损考卷；3）禁止离开房间。违反其中一条规则，将丧失考试的资格。应聘者面前的考卷是白纸一张，却发贸然落笔也是污损考卷的一种。在各种奇怪的规则之下，这几位精英变得手足无措，个性张扬的白人男子（卢克•梅布利 Luke Mably 饰）率先提议应试者们要共同合作，解决问题。拥有不同背景的男女看似走到一起，却不知机关暗藏其中。与其说是一场激烈的就业测试，毋宁说是一场人性与智慧的大考验……
萧煌奇
回复 :大型历史电影史诗《解放》由五部电影组成。第四部电影是《柏林之战》。1945年卫国战争的最后几个月。正是在这些日子里，决定了被奴役欧洲的命运。维斯洛-奥德行动开始了。科涅夫、茹科夫和罗科索夫斯基指挥的三条战线向德国首都冲去。英美军队也前往柏林。丘吉尔建议，"走在俄罗斯人前面"，与希特勒的使者开始秘密谈判，雅尔塔会议开幕。柏林的命运将在战场上决定。
