奥尔良监狱里新来了两个“无辜”的罪犯：视频Zack（汤姆·威兹 Tom Waits 饰）和Jack（约翰·劳瑞 John Lurie 饰）。Zack是一个DJ，视频被女友抛弃后在街上浪荡的他接受了一个朋友的工作：把一辆车开到一个地方，路上他却被警察拦了下来随后在车后座发现了一具尸体；而Jack则被一个老朋友所说服，去见一个年轻貌美的妓女，就在他准备享受一番之时，警察破门而入将他带走。不久，监狱里又来了一个意大利杀人犯Bob（罗伯托·贝尼尼 Roberto Benigni 饰）。三人在一间牢房里闹了不少笑话。百无聊赖的他们计划逃狱，竟然成功了。三人艰辛走过沼泽地，穿过树林，来到了一个意大利女人Nicoletta（尼可莱塔·布拉斯基 Nicoletta Braschi 饰演）住的小屋。Bob和Nicoletta两个意大利人沉浸在爱河中，最后只剩下Jack和Zack继续上路，而他们两人又将在面对岔路口时走向何方......本片由美国独立电影导演吉姆·贾木许Jim Jarmusch执导，为一部黑白电影，参加了1986年的戛纳电影节。
碧薇莉耐特
回复 :古代，西北大漠，边关小镇野山关\r\r马匪头目马大疤子看中了一个叫羊庄的地方，开始跟羊庄村民进行圈地拆迁的谈判。羊庄的主事人老杨头认为老祖宗的羊庄不能拆,谈判破裂。马匪露出本色，扬言要强行圈地。老杨头儿和全村人商议后，凑钱派牧民草根和教书先生范见去镇上请刀客来保护羊庄。\r\r草根和范见初来到处碰壁，只好找到一家刀客经纪公司，因为钱不够，被刀客经纪人东方大侠冷落，他们对能否找到刀客倍感茫然。\r\r草根和范见入驻小客栈“小二黑的店”，被老板设计坑掉了草根和范见用来请刀客的盘缠。钱没了，刀客还没着落,草根走投无路想跳楼自尽，结果被落魄的老刀客孤独求败所救。\r\r孤独求败早已被江湖遗忘多年，穷困潦倒，很想再干一票大事，赚够养老金后从此退出江湖。在草根和范见的祈求下，孤独求败答应可以先救羊庄，后付酬金，但必须还要再找两个刀客作为帮手，否则根本不可能打败那么多马匪。\r\r刀客经纪人欧阳小白找来了瘸腿的失意刀客鬼脚六，号称是鬼脚七的哥哥，早年因为太过招摇被人打成了瘸子，从刀客沦落成跑江湖的卖艺人，尽管如此，他的胸口碎大石也让没见过世面的草根和范见为之一振。\r\r年轻刀客苏盖儿一腔热血却常常把事办砸。他自诩行走江湖，只不过是到处吃霸王餐，实在混不下去了还要讨饭为生。他阴差阳错的遇到了甜妹，甜妹对他一见倾心。当他遇到刀客经纪人东方大侠后，以为自己遇到了星探，极力要求加入了这个拯救羊庄的队伍。\r\r草根和范见说出盘缠已丢的事，经纪人东方大侠傻眼了，草根和范见给刀客们打了一张白条后，他们一行人朝着羊庄进发了。\r\r他们到达羊庄后，在牧民的眼里，刀客们看上去老的老少的少，完全是老弱病残，牧民们十分怀疑他们的实力，担心靠不住。把女人们和好酒好肉都藏起来。鬼脚六把自己的江湖马戏拿出来，演了一场“狼来了”加“空城计”吓唬村民，树立了刀客在村里的权威。\r\r马贼都没有如期而来，无聊日子里，鬼脚六偷吃了老杨头的鸡和范见的酒，羊庄的村民开始抱怨养了这群白吃白喝的刀客。在孤独求败的指挥下，刀客们开始带领牧民们开始制造各种防御的武器和机关。\r\r苏盖儿与甜妹暗生情愫，范见知道后，反对他们在一起，而甜妹希望苏盖儿带着她远走高飞。\r\r马匪终于来了，激烈的战斗开始了。刀客带领牧民们巧妙的利用地形，将马匪们包围，分割，各个击破。终于利用“鬼打墙”“回形阵”等机关，把马匪逼入了山谷深处，又冷又饿，他们只能以树皮草根充饥，把唯一的财产——马都杀了烤着吃，马大疤子破产了。\r\r尽管羊庄保卫战大获全胜，但还是付不起刀客的酬金，孤独求败撕碎了欠条，从此消失于江湖。\r\r苏盖儿放弃了爱情，继续追逐自己的江湖梦去了。\r\r羊庄的老杨头儿从拆迁中看出了商机，将羊庄改造成了西部旅游度假村，并且聘请鬼脚六当了羊庄度假村安保队队长。\r\r马大疤子决定金盆洗手，解散了残余的马匪，跟小玉回到野山关镇，小玉用自己的积蓄开了一家新的旅馆，名叫”同福客栈”,范见做了掌柜。
彭立
回复 :When cousins Ted (Taylor Nichols)and Fred Boynton (Chris Eigeman) hit Barcelona, the sexiest city in the world, the possibilities – and the beautiful girls – are endless. But without warning, international intrigue interrupts the pair's romantic pursuits... and what follows is a dangerously sexy comedy that explores life, liberty, and the labours of love.
刁寒
回复 :Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
